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August 17, 2017   •  Category: "Home Again", Articles & Interviews, Video UpdatesComments Off on Reese holds Facebook Live chat following “Home Again” screening

Reese held a Facebook live chat following a screening of her new movie Home Again yesterday – she chatted about her co-stars and character:




August 17, 2017   •  Category: "Big Little Lies", "Wild", Articles & Interviews, Career, Films & Projects, Pacific Standard, Video UpdatesComments Off on ‘Awards Chatter’ Podcast — Reese Witherspoon (‘Big Little Lies’)

The Hollywood Reporter have published a fantastic interview with Reese in which she talks in depth about her entire career – from the early days of advertising campaigns, to her 90’a movies Fear, Twilight, Election, moving onto Legally Blonde, Sweet Home Alabama and Vanity Fair, Oscars days of Walk The Line, her low patch of 2008-2012, then moving into producing Wild and Gone Girl, and the process of Big Little Lies. This is a must-listen!

‘Awards Chatter’ Podcast — Reese Witherspoon (‘Big Little Lies’)

‘America’s Sweetheart’ reflects on becoming an A-list superstar, hitting a terrible slump during which she was declared a ‘has-been’ and then reinventing herself as an actress/producer and Oprah-like champion of great books.

“I won the Oscar and I felt really confused about what to do next,” Reese Witherspoon confesses, in reference to her 2006 best actress victory for playing June Carter Cash in Walk the Line, as we sit down at the Formosa Recording Studio in Santa Monica to record an episode of The Hollywood Reporter’s ‘Awards Chatter’ podcast. “I had paralysis — Oscar-induced paralysis,” she adds, along with her trademark giggle. “You don’t know what to do!” For Witherspoon, who had been on Hollywood’s A-list since 2001’s Legally Blonde, it marked the beginning of several years of personal and professional frustration, during which some began to write her off. “Someone in The New Yorker said that I was ‘a has-been’ or my career was over, and I remember thinking — how old was I in 2012, like 36? — I was like, ‘Wow, that’s brutal!’ That really bugged me.” But what no one, including Witherspoon, could have known — or even imagined — at that time was that her best days still were ahead of her, and that by 2017, she not only would have re-established herself as one of the most popular and respected actresses in the business (picking up an Oscar nom for 2014’s Wild and an Emmy nom for 2017’s Big Little Lies), but also as an Oscar- and Emmy-nominated producer (for those same two projects) wielding influence in the literary community not unlike that of Oprah Winfrey.


Listen to the podcast here

Witherspoon was born in New Orleans to a father who served in the Air Force and a mother who was a delivery nurse. The family moved around, but ultimately settled in Nashville, where their precocious young “type A” daughter soon began taking acting lessons and appearing in advertisements and commercials, landing a local agent at the age of 12. At 14, during the summer before starting high school, she found her first starring role in a movie, Robert Mulligan’s 1991 film The Man in the Moon. Even before the film’s release, her screen test went viral, and she quickly became in-demand. Throughout high school, she would work during the summers. She then starred in 1996’s Freeway, turning in a performance that “got a lot of attention,” during a gap-year before enrolling at Stanford; but she then spent just seven months at Stanford before irresistible film offers led her to move to Los Angeles and focus full-time on her career.

As a young-adult actress, Witherspoon gave memorable performances in strong films like Gary Ross’ Pleasantville (1998), as a nineties girl who finds herself in the fifties, and Alexander Payne’s Election (1999), as an ambitious and calculating high school student who “became a political archetype.” Then, in 2001, she played Elle Woods, a material girl who pursues her ex all the way to Harvard Law School, in Robert Luketic’s Legally Blonde. The $11 million movie had a $20 million opening weekend and made her, at just 23, and already a mother of a 1-year-old, a huge star. “I loved that character” and “underdog story,” she reflects, while also remembering the baggage that came with its success. “That’s when paparazzi started for me,” she says. “That’s when I started getting chased by 10 or 15 people.”

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August 15, 2017   •  Category: "Home Again", Articles & Interviews, Gallery Updates, Media AlertsComments Off on Home Again: Reese Witherspoon explains the state of the modern rom-com

Home Again: Reese Witherspoon explains the state of the modern rom-com

Reese Witherspoon isn’t quite sure how to categorize her next big-screen venture. “It’s about that very particular post-divorce time, and the insecurity and guilt that comes with it — so it isn’t really a romantic comedy,” she says. But first-time writer-director Hallie Meyers-Shyer (daughter of director Nancy Meyers) may have it sussed: “It’s a modern rom-com,” she says. “I noticed women were feeling comfortable getting divorced earlier in life, and I wanted to explore that trend.”



Witherspoon plays Alice, a 40-year-old mother of two who moves home to L.A. after her marriage falls apart. Somehow she finds herself boarding three aspiring filmmaker brothers in her guesthouse. “Together the three of them make the perfect man,” laughs Meyers-Shyer. Alice adapts nicely to live-in child care, tech support, and a relationship with the brother in his late 20s (Pico Alexander). “It’s kind of beautiful to see a May-December romance the other way around,” Witherspoon says. “It’s good to put that out there and challenge social arrays.”

The older-woman-younger-man romance isn’t the only love story in the movie. With the daughter of two Hollywood heavyweight moviemakers at the helm (father Charles Shyer produced and got an Oscar nomination for writing Private Benjamin and is also the writer-director of the Father of the Bride movies), Home Again is in part an ode to the filmmaking industry. “There’s a great love of cinema present in the film,” says Witherspoon. “Hallie is very respectful of the real craftsmanship and the sincerity of people’s artistry.” For Meyers-Shyer’s part, injecting the warm, sumptuous glow of old Hollywood was entirely intentional. “That’s exactly the quality I wanted the movie to have,” says the first-time director who grew up on movie sets watching her parents at work and learning that the position in the director’s seat was earned not awarded. “I wanted it to feel like a place you wanted to be. Hollywood is really the heart of Los Angeles and it’s based around an art form. There’s that bright reality TV thing that people picture when they think of L.A. now, so I was trying to do my part in showing L.A. as a sort of oasis and bringing back that idea of going west to follow your dreams.”

That dreamlike, candle-lit essence trickles over into the movie’s plot at times and yet, the most unlikely element of the story — a middle-aged mom taking in three jobless strangers — was actually born from reality. “When a friend of mine was growing up in L.A. her mother took in these three guys,” says Meyers-Shyer. “I love it when people tell me, ‘Oh I wish that that could actually happen; it seems like wish fulfillment,’ and I’m like, ‘Well, actually it did happen to somebody I know.’ I just thought it was very interesting and bohemian and it would fit in nicely with the character I had created.”

Still, following the true rom-com tried-and-tested formula, there had to be a male lead with enough charm to melt the best of intentions. “Casting Pico Alexander’s part was really tough,” says the writer-director. “It’s a part of a young movie star and I really wanted someone who embodied old-school Hollywood for that character. While I was writing it I pictured a young Jack Nicholson — those are some very hard shoes to fill, but Pico sent in a self tape and he just leapt off the screen.”

Nonetheless, despite the dewy backdrop and the attractive male suitor, the romantic fling isn’t the crux of the story. “That’s what makes it a modern romantic comedy,” says Witherspoon, finally giving in to that label. “It’s not about a woman finding love; it’s about a woman finding the best version of herself — and that’s very modern.”

Home Again opens Sept. 8.

(EW)



August 15, 2017   •  Category: "Big Little Lies", Articles & Interviews, Media Alerts, Pacific Standard, Role RumorsComments Off on Big Little Lies: How Nicole Kidman convinced Reese Witherspoon to play Madeline

Big Little Lies: How Nicole Kidman convinced Reese Witherspoon to play Madeline

Is it any surprise that actor-producer Reese Witherspoon’s first major TV project, HBO’s hit miniseries Big Little Lies, resulted in not just an Emmy nomination for her, but a whopping 16 for the show overall? The star, who also produced literary adaptations Gone Girl and Wild, turned Liane Moriarty’s thriller into a moody, suspenseful — but wonderfully funny — must-watch series that has viewers begging for a second season. And as lovable but complicated busybody Madeline Martha Mackenzie, Witherspoon, 41, was at the top of her game, spitting the show’s funniest lines one moment and delivering taut drama the next.

EW caught up with Witherspoon ahead of the Emmy Awards (airing Sept. 17) to talk about making the switch from film to TV, what story lines could be explored in a potential season 2, and how her costar (and co-producer) Nicole Kidman convinced her that her comedic role was necessary for the series.

ENTERTAINMENT WEEKLY: This is essentially your first TV role, aside from some guest spots.
REESE WITHERSPOON: Yeah, this is the only thing I’ve ever done! [Laughs] I’ve never done TV before, other than being Jennifer Aniston’s sister on Friends and a Lifetime movie when I was 15.

Tell me about making the switch. What was it like getting to spend so much more time with a character?
It’s a very different process. It’s a much longer process, but as an actor, the ability to dig deeper into a character and have more time to live with these characters, I think [helps] you create a more whole picture of a human life. Nicole [Kidman] and I were approached and asked to make it into a feature film right before we were about to make a decision about what network we were going to go with, and we just really felt like we wanted to tell the story of five women, not two, and there just wouldn’t be enough time within a film format to get that deep level of storytelling.

And also, to be quite frank, audiences are much more deeply invested in these long-form storytelling opportunities. I think you get a lot more engagement. You’re chasing the audience that is Nicole and I’s audience for years and years, but it’s also Shailene’s audience and Zoë Kravitz’s audience. It’s important to go where your audience is, not expect them to necessarily come to you.

You had to balance so much in this role: Madeline had dramatic and comedic scenes, and she was a bully as much as she was a protagonist.
It was funny, when we were making it, Laura Dern and I kept looking at each other and going, “I think we’re in a comedy and everybody else is in a drama.” But I think that’s what makes it relatable and why people see themselves in it, because there’s a part of it that is so much about the intimacy of marriage and relationships and parenting and the secrets we keep from each other. And then there’s this whole other element of tension and mystery and murder, and that any one of us is capable of something truly horrible at any moment.

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August 13, 2017   •  Category: "Big Little Lies", Awards & Nominations, Gallery Updates, News & Gossip, Pacific Standard, Public AppearancesComments Off on Reese attends the Television Critics Association Awards

Last weekend Reese attended the Television Critics Association Awards in Beverly Hills, where Big Little Lies was nominated for 3 awards. It picked up the award for Outstanding Achievement in Movies, Miniseries and Specials, and Reese joined her director Jean-Marc Vallee, co-producers Per Saari, Nathan Ross, Bruna Papandrea, and writer David E. Kelly on stage to accept the award – congratulations to the Big Little Lies crew! Reese looked elegant in a little black dress by Antonio Berardi with jewellery from Eva Fehren. HQ photos from the event can be found in our Gallery:

Summer TCA Tour – Television Critics Association Awards x21



The Television Critics Association Announces 2017 TCA Awards Winners

The Television Critics Association (TCA) recognized the top programs and actors from the 2016-2017 television season tonight at its 33RD Annual TCA Awards presentation. The prestigious organization’s event was held at the Beverly Hilton hotel, hosted by EMMY® and TONY®-winning entertainer Kristin Chenoweth.

The results were determined from votes cast by the TCA’s membership, comprised of more than 220 professional TV critics and journalists from the United States and Canada. The winners represent a diverse lineup of series and stars in 12 distinct categories, putting the spotlight on the absolute best in comedy, drama, reality, miniseries, news, and youth programming. Highlights included Hulu earning its first TCA awards on the strength of its freshman dystopian thriller THE HANDMAID’S TALE, which took home top honors for Program Of The Year and Outstanding Achievement In Drama; as well as ABC’s heartwarming family comedy SPEECHLESS, which won in the category of Outstanding Achievement In Youth for its unique family dynamic and strong, heartfelt storylines.

For the second year in a row, FX emerged as one of the evening’s biggest winners. The network snagged a TCA-leading three awards thanks to its dynamic new series ATLANTA, which earned Outstanding Achievement In Comedy, and scored an Individual Achievement In Comedy Award for series star and creator Donald Glover. Rounding out the network’s big night was an Individual Achievement In Drama Award for Carrie Coon, who made TCA awards history by being recognized for two separate performances. Coon was recognized for her standout roles as the tech-challenged police chief Gloria Burgle on FX’s twisting crime caper FARGO and playing the emotionally resilient Nora Durst on HBO’s spiritually-rich drama series THE LEFTOVERS.

Additionally, NBC’s beloved interpersonal drama THIS IS US was recognized as the season’s Outstanding New Program; HBO’s star-studded suburban murder mystery BIG LITTLE LIES came away with the award for Outstanding Achievement In Movies, Miniseries, and Specials; A&E’s investigative true-life series LEAH REMINI: SCIENTOLOGY AND THE AFTERMATH received the award for Outstanding Achievement In Reality Programming; and ESPN’s provocative five-part documentary event O.J.: MADE IN AMERICA nabbed Outstanding Achievement In News and Information.

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August 13, 2017   •  Category: Draper James, Gallery Updates, Hello Sunshine, News & Gossip, Pacific Standard, Video UpdatesComments Off on Inside Vanity Fair’s First Founders Fair with Reese Witherspoon, Sasheer Zamata, Tory Burch, and More

Inside Vanity Fair’s First Founders Fair with Reese Witherspoon, Sasheer Zamata, Tory Burch, and More

At Vanity Fair’s inaugural Founders Fair last April, entrepreneurial women—including Tory Burch, Reese Witherspoon, and the co-chairs of the Women’s March—talked about what it takes.

While there’s ample evidence that there are still ceilings for professional women to shatter (Exhibit A: the White House), female entrepreneurs are having a moment. This was plain to witness at the first Vanity Fair Founders Fair, at 1 Hotel Brooklyn Bridge, in April, where risk-takers, business leaders, and investors shared stories of having ignored naysayers and turning bright ideas into businesses. Tory Burch, in conversation with Vanity Fair editor Graydon Carter, explained why she firmly believes retail still has a place—alongside e-commerce—in her eponymous fashion empire. The national co-chairs of the Women’s March told how they turned angst from disparate Facebook groups into 1.2 million placard-wielding, pink-hat-wearing demonstrators the day after Donald Trump’s inauguration. Reese Witherspoon—a producer, Oscar-winning actress, and the founder of lifestyle brand Draper James—revealed how she still isn’t taken as seriously as her male counterparts. “A guy has one hit and they say he deserves an Oscar. One guy will have a hit at Sundance and he gets Jurassic Park,” she said. “A woman has a hit at Sundance and it takes her like six more movies to get a big movie.” Indeed, grit was a theme of the event. Julie Deane, founder of the Cambridge Satchel Company, described how she started her business by calling a shopkeeper every 35 minutes for almost two days until he revealed the name of a key supplier. “This is where being the most tenaciously annoying person and the best nagger in the world really comes into its own,” she declared. With founders such as Deane growing in force, the glass ceiling doesn’t stand a chance.

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August 11, 2017   •  Category: "Big Little Lies", Articles & Interviews, Pacific Standard, Role RumorsComments Off on Reese Witherspoon on ‘Big Little Lies’ Season 2 Potential: “We’re Optimistic”

Reese Witherspoon on ‘Big Little Lies’ Season 2 Potential: “We’re Optimistic”

The actress talks to THR about the future of the limited series, the other TV character she’d like to play and the project she had to turn down because of the critically lauded HBO drama.

Ever since Big Little Lies wrapped its critically lauded run on HBO in April, there have been rumblings of a possible second season of the limited series.

Reese Witherspoon tells The Hollywood Reporter that those conversations are ongoing, and that she’s “optimistic” about doing more of the drama, which is based on Liane Moriarty’s book of the same name.

Ahead of the Emmys, the Oscar-winning actress chatted with THR about the future of the limited series, the other TV character she’d like to play and the project she had to turn down because of Big Little Lies.

There’s been talk of a potential second season of Big Little Lies. What’s the latest?

Honestly, it’s totally in [novelist] Liane Moriarty’s court. The ball is definitely in her court because these characters were born of her mind and her imagination, and we just want to see if she’s interested in creating more story about these characters. She really created an incredible road map for us that we followed almost to a T. Right now, we’re happy if this is all there is. We’re optimistic that there might be more.

And you’re talking to writer David E. Kelley about a second season as well?

Yes, he’s our producing partner.

What goes into the decision of continuing a limited series?

It just comes down to, do we have the story? It was a stand-alone book and there was nothing after that, so it’s up to the mind of the writer to create the vision for the journey of these characters. Right now, we have nothing. We don’t have a book. We’re certainly not going to create it out of thin air. [Moriarty’s] very deft at, first of all, creating tension through mystery, but also digging deep into the very intimate lives of female friendships — their relationships, their romantic relationships, their parenting styles.

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July 28, 2017   •  Category: Hello Sunshine, News & Gossip, Role Rumors, Video UpdatesComments Off on Jennifer Aniston, Reese Witherspoon to Star in Series About TV Morning Shows

Jennifer Aniston, Reese Witherspoon to Star in Series About TV Morning Shows

More than a decade after Friends wrapped its run, star Jennifer Aniston is plotting her return to the small screen.

In one of the largest TV packages to date, Aniston and Reese Witherspoon are attached to star in an untitled series exploring morning shows and the larger New York media scene that they inhabit.

The package, which has not yet hit the market, is expected to be taken out to premium cable outlets like HBO and streaming services including Netflix. Given the stars attached, it is expected to draw significant interest from multiple bidders.

The project is based on an original idea and is being spearheaded by former HBO head of drama Michael Ellenberg and his newly launched film and TV production company Media Res. Jay Carson (House of Cards) is attached to pen the script and exec produce. Academy Award nominee Steve Kloves (Wonder Boys, Harry Potter) will executive produce. Witherspoon will also executive produce alongside her Hello Sunshine banner topper Lauren Levy Neustadter. Aniston also will be credited as an executive producer.

Aniston and Witherspoon, who memorably guest starred as Aniston’s younger sister on Friends, have remained friends over the years.

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To celebrate our 16 years online, here we are spotlighting 16 of our favourite Reese things from the past 16 years. You will see a new one upon refreshing or changing the page.


Warner: "You got into Harvard Law?"
Elle: "What, like it's hard?!"



snapsbyreese           @RWitherspoon
ReeseWitherspoon         ReeseWitherspoon



Current Projects
Sing (2016)
Role: Rosita (voice)
Genre: Animated musical comedy
On DVD/Blu-ray/Digital HD now
News / Info / Photos / Official Site


Big Little Lies (2017)
Role: Madeline
Genre: HBO TV Series - Drama
Available on Digital HD download now
News / Info / Photos / Official Site


Home Again (2017)
Role: Alice
Genre: Romantic Comedy
In US cinemas now
News / Info / Photos / Official Site


A Wrinkle In Time (2017)
Role: Mrs Whatsit
Genre: Adventure, Family, Fantasy
To be released March 9th 2018 (US)
News / Info / Photos / Official Site

Full Filmography      


Rumoured/Unconfirmed Roles:
Untitled TV Project with Jennifer Aniston
Luckiest Girl Alive
Tiny Beautiful Things
The Dry
Barbie origins project
In A Dark, Dark Wood
Untitled Rob Long Project
The Thing About Jellyfish
All Is Not Forgotten
Cold
Three Little Words
Tink
Pale Blue Dot
Rumoured Roles News   → All Projects In Development





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