Wow, massive congratulations to the entire cast and crew of Big Little Lies who cleaned up at The Emmys last night!! They won a total of 8 awards, including Best Limited Series – which was a personal win for Reese as an executive producer – acting awards for Nicole Kidman, Alexander Skarsgard and Laura Dern, and directing for Jean-Marc Vallee. Find their full list of wins further down this post. On behalf of all Reese fans I think I can say how proud we are of her for the wonderful work she did both in front of and behind the scenes of Big Little Lies – this was clearly a passionate project for her and we’re so happy for her and the success and impact it’s having! And the same goes for the entire cast and crew who put together this fantastic show.
Reese was accompanied to the event by her husband, Mum and daughter, and posed on the red carpet with Nicole. Reese looked smart in a blue satin jacket dress by Stella McCartney (Reese wanted to wear a female designer), with a Tyler Ellis purse, shoes from Christian Louboutin, and David Webb jewellry.
This post will be updated with coverage from the night over the next day or so. To start with, we have a ton of videos from the red carpet. Photos are coming very soon….
Reese appeared on CBS’s This Morning earlier today – she chatted more about Big Little Lies, how she changed the course of her career in recent years, her upcoming project with Jennifer Aniston, and Draper James. Watch the video below and find HD screencaptures in our gallery:
Reese and her Home Again co-stars Candice Bergen, Jon Rudnitsky and Pico Alexander continued their promotional tour with an appearance on Watch What Happens Live With Andy Cohen last night. As well as their movie, Reese chatted about her upcoming TV show with Jennifer Aniston and Big Little Lies. The show had various games involving Reese and Candice’s movies, including Four Christmases, This Means War, Fear, Sweet Home Alabama, Legally Blonde, The Man In The Moon and Just Like Heaven – it was pretty funny seeing Reese’s reactions to these movies! She also re-created the Bend & Snap and explained how and when to use it. It was a really fun and lively interview, and nice to see Reese alongside Candice. She wore a dress by Bottega Veneta with Alaia shoes. Below are a few clips including their ‘after-show’ Q&A, and in our Gallery you can find photos of Reese arriving at the show studios, backstage, stills from the show, and HD screencaptures from the full interview:
Reese graces the cover of the new October issue of US Glamour magazine, and inside she writes an article for the magazine about empowering women in Hollywood and promoting women’s rights. She touches on some of her female-driven projects including Wild and Big Little Lies, as well as A Wrinkle In Time, her children’s response to her producing work, and her goals with Hello Sunshine. It’s a really good read, and you can find the full article here. The article is accompanied by a fun and fantastic new photoshoot – find that, in HQ, in our Gallery!
Reese appeared on ‘Chelsea’, Chelsea Handler’s weekly Netflix show, yesterday to promote Home Again. She also chatted about Big Little Lies, her producing work, her upcoming show with Jennifer Aniston, her love of dogs, and being a responsible adult! It’s a really fun interview! Below is a video of the full interview and I’ve added HD screencaptures to our Gallery:
August 28, 2017 • Category: Pacific Standard, Role Rumors •
Comments Off on Westboro Baptist Church Movie in the Works From Marc Webb, Nick Hornby
Westboro Baptist Church Movie in the Works From Marc Webb, Nick Hornby
Reese Witherspoon and Bruna Papandrea are attached to produce the film, entitled ‘This Above All.’
Marc Webb is set to direct the feature film This Above All, based on the life of Megan Phelps-Roper, a former member of the hate-mongering Westboro Baptist Church.
Nick Hornby will pen the screenplay from a New Yorker article by Adrian Chen and Phelps-Roper’s upcoming memoir.
Phelps-Roper is the granddaughter of the famous founder of the Kansas-based church, which is known for picketing everything from sporting events to military funerals and protesting the LGBT community, Islam and politicians, among many other groups. She became one of the most powerful voices for WBC via social media, until her ongoing conversations with opponents over Twitter led her to question her belief system. Eventually, she and her younger sister made the decision to leave the Church — and therefore become disowned by their family.
Dawn Ostroff and Jeremy Steckler will produce for Conde Nast Entertainment, along with Webb. Bruna Papandrea, Reese Witherspoon and Bill Pohlad of River Road Entertainment, who previously worked with Hornby on the film adaption of Wild, will also produce.
River Road will finance This Above All. The deal was negotiated by CAA.
“When we read the New Yorker article about Megan’s incredible journey, we knew that it was the perfect fit for CNE’s film group,” stated Ostroff and Steckler. “Marc and Nick both have a powerful vision of how to tell Megan’s story and we are very happy to be partnered with Reese, Bruna and Bill, who understand the importance of bringing this project to the big screen.”
Webb recently helmed the Amazon feature The Only Living Boy in New York and the Chris Evans starrer Gifted, and is set to direct the pilot for CBS’ Instinct based on the James Patterson novel. He is repped by CAA, Anonymous and Lichter Grossman.
Hornby, who last worked on the Oscar contender Brooklyn, is repped by Casarotto Ramsay.
Nicole Kidman, Reese Witherspoon and ‘Big Little Lies’ Stars Detail Show’s ‘Tricky’ Journey
A version of this story on “Big Little Lies” first appeared in the Down to the Wire issue of TheWrap’s Emmy magazine.
Four lead women in “Big Little Lies,” the HBO miniseries based on Liane Moriarty‘s book, all landed Emmy nominations, Nicole Kidman and Reese Witherspoon in the lead category and Laura Dern and Shailene Woodley in supporting. (Zoë Kravitz, the last of the main actresses, was left out.)
Dern, Woodley and actors/executive producers Kidman and Witherspoon described the rare experience of making the miniseries, which starts with a murder investigation and then slowly unveils victim, murderer and motive over 10 episodes. Alexander Skarsgard, who plays Kidman’s emotionally and physically abusive husband, was also nominated — but these conversation were about the women at the center of the miniseries.
REESE WITHERSPOON I found the manuscript and sent it to Nicole, and we decided to do the project together. She met with Liane Moriarty first and got the rights, and then we got David Kelly. And then Jean-Marc Vallee came on.
NICOLE KIDMAN For me, it was the complication of the women, and the strength of their stories, and the fact that it focused on the female relationships and was told primarily through the female point of view. That’s why the book was so appealing. And it seemed to warrant being told, because amidst the entertainment of it, underneath were issues that were incredibly topical and relevant and real.
WITHERSPOON We had to decide, Is it a miniseries or a movie? And we decided it would be better to do this for television. If we had done it as a two-hour movie, it might have been about two of the women, not all five.
KIDMAN I think it would be strange if Reese and I produced something that was all men. Don’t we have enough of those? So it was very important for us to throw our weight behind finding these great female roles, and calling our friends and people we admire. That was the glorious part of it.
The Hollywood Reporter have published a fantastic interview with Reese in which she talks in depth about her entire career – from the early days of advertising campaigns, to her 90’a movies Fear, Twilight, Election, moving onto Legally Blonde, Sweet Home Alabama and Vanity Fair, Oscars days of Walk The Line, her low patch of 2008-2012, then moving into producing Wild and Gone Girl, and the process of Big Little Lies. This is a must-listen!
‘Awards Chatter’ Podcast — Reese Witherspoon (‘Big Little Lies’)
‘America’s Sweetheart’ reflects on becoming an A-list superstar, hitting a terrible slump during which she was declared a ‘has-been’ and then reinventing herself as an actress/producer and Oprah-like champion of great books.
“I won the Oscar and I felt really confused about what to do next,” Reese Witherspoon confesses, in reference to her 2006 best actress victory for playing June Carter Cash in Walk the Line, as we sit down at the Formosa Recording Studio in Santa Monica to record an episode of The Hollywood Reporter’s ‘Awards Chatter’ podcast. “I had paralysis — Oscar-induced paralysis,” she adds, along with her trademark giggle. “You don’t know what to do!” For Witherspoon, who had been on Hollywood’s A-list since 2001’s Legally Blonde, it marked the beginning of several years of personal and professional frustration, during which some began to write her off. “Someone in The New Yorker said that I was ‘a has-been’ or my career was over, and I remember thinking — how old was I in 2012, like 36? — I was like, ‘Wow, that’s brutal!’ That really bugged me.” But what no one, including Witherspoon, could have known — or even imagined — at that time was that her best days still were ahead of her, and that by 2017, she not only would have re-established herself as one of the most popular and respected actresses in the business (picking up an Oscar nom for 2014’s Wild and an Emmy nom for 2017’s Big Little Lies), but also as an Oscar- and Emmy-nominated producer (for those same two projects) wielding influence in the literary community not unlike that of Oprah Winfrey.
Witherspoon was born in New Orleans to a father who served in the Air Force and a mother who was a delivery nurse. The family moved around, but ultimately settled in Nashville, where their precocious young “type A” daughter soon began taking acting lessons and appearing in advertisements and commercials, landing a local agent at the age of 12. At 14, during the summer before starting high school, she found her first starring role in a movie, Robert Mulligan’s 1991 film The Man in the Moon. Even before the film’s release, her screen test went viral, and she quickly became in-demand. Throughout high school, she would work during the summers. She then starred in 1996’s Freeway, turning in a performance that “got a lot of attention,” during a gap-year before enrolling at Stanford; but she then spent just seven months at Stanford before irresistible film offers led her to move to Los Angeles and focus full-time on her career.
As a young-adult actress, Witherspoon gave memorable performances in strong films like Gary Ross’ Pleasantville (1998), as a nineties girl who finds herself in the fifties, and Alexander Payne’s Election (1999), as an ambitious and calculating high school student who “became a political archetype.” Then, in 2001, she played Elle Woods, a material girl who pursues her ex all the way to Harvard Law School, in Robert Luketic’s Legally Blonde. The $11 million movie had a $20 million opening weekend and made her, at just 23, and already a mother of a 1-year-old, a huge star. “I loved that character” and “underdog story,” she reflects, while also remembering the baggage that came with its success. “That’s when paparazzi started for me,” she says. “That’s when I started getting chased by 10 or 15 people.”
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