Mindy Kaling, who is co-writing the script for Legally Blonde 3, gave us an update on the scripts progress during an appearance on Watch What Happens Live last month. She talked about working with Reese on developing the character and story, how to match the iconic first film, whether Paulette will be back, and that they are still working on the first draft. Thanks to our friend Maria V for updating us on this!
Reese appeared on Good Morning America this morning. It was billed as her having a “big announcement”, but it was nothing completely new – she spoke about her new Book Club app, as well as her dogs, how she’s managing quarantine, and working on Legally Blonde 3 with Mindy Kaling. Watch the interview below:
Golden Globe-winning actress Reese Witherspoon sat down to talk to HFPA journalist Margaret Gardiner about her decades in Hollywood, from her start in films like Cruel Intentions, Election, and Legally Blonde, to turning points in her career like Wild and Walk the Line, to her recent forays in television with The Morning Show and Big Little Lies, to her outside work like her use of fashion and her ongoing monthly book club that highlights and celebrates great and noteworthy works, and more.
Watch the amazing Legally Blonde reunion below – and pay a visit to the organisation it’s in aid of at World Central Kitchen.
Reunions give you endorphins. Endorphins make you happy. Happy people join host Reese, moderator Chloe Fineman, and the stellar cast of Legally Blonde for a reunion after 20 years of the film’s production. So tune in; what like it’s hard?
October 17, 2020 • Category: "Legally Blonde 3", News & Gossip •
Comments Off on Mindy Kaling Shares an Update on “Legally Blonde 3” With Reese Witherspoon
Mindy Kaling Shares an Update on Legally Blonde 3 With Reese Witherspoon
Mindy Kaling just gave fans a much-needed update on Legally Blonde 3 while speaking on Good Morning America on Tuesday, Oct. 6.
The Office alum was recruited to write the sequel by none other than Elle Woods herself—that would be star Reese Witherspoon.
“I was nervous because the movie is so iconic. But then I thought, ‘It’d be really fun to see that character in her 40s. What is Elle Woods dealing with as a 41-year-old woman?'” Kaling said. “And it’s been really funny to write. And I’m working on it with my friend Dan [Goor], and I think it’s going to be a great movie for Reese and people are going to love to see her in this part.”
Witherspoon first confirmed that Legally Blonde 3 was happening in 2018. And Kaling explained how it all went down.
“I’d been working with her on a couple movies and we’ve been friends for a while. And I have always quoted the movies to her. I was that annoying friend that would be like, ‘Bend and snap’ to her,” she said. “And [Reese] asked me, ‘You know, I’d really love to revisit this character.'”
Kaling and Witherspoon both starred in A Wrinkle in Time in 2018 with Oprah Winfrey and in The Morning Show in 2019.
‘Legally Blonde 3’: Mindy Kaling & Dan Goor Giving Fresh Take To MGM-Hello Sunshine Sequel
We have learned tonight that Mindy Kaling and Dan Goor have officially signed on to write MGM’s Legally Blonde 3. This is the second feature film that Kaling and Goor are partnering on, the first being the Kaling/Priyanka Chopra wedding comedy that Universal won in a heated auction last year, which Deadline also told you about first.
Reese Witherspoon remains aboard, reprising her role as attorney Elle Woods, producing through her Hello Sunshine studio with the franchise’s original producer Marc Platt.
Deadline exclusively announced Legally Blonde 3 close to two years, with original scribes Kirsten “Kiwi” Smith and Karen McCullah penning. Kaling and Goor’s version isn’t a makeover, nor are they doing touch-ups, rather their screenplay will have an entirely new fresh spin.
Also producing are Hello Sunshine banner head of Film and Television Lauren Neustadter and Adam Siegel, President of Platt Productions.
Even though many feature productions are closed, the new MGM Film Group headed by Mike De Luca and Pamela Abdy remains very busy in development. Recently, they announced several film projects including Ron Howard’s Thirteen Lives, The Martian author Andy Weir’s next novel (aka Project Hail Mary) with Phil Lord and Chris Miller attached to direct, George Miller’s Three Thousand Years of Longing, David Slade’s Dark Harvest (opening Oct. 24, 2021) and Ridley Scott’s Lady Gaga Gucci project on Nov. 26, 2021.
Kaling recently co-created and is the executive producer on the critically acclaimed Netflix comedy series Never Have I Ever which follows an Indian American teenage girl and is inspired by Kaling’s own childhood. Last summer she co-created and executive produced the Hulu series Four Weddings and a Funeral based on the hit 1990s romantic comedy. Her movie Late Night which she stars in, wrote and produced, made its world premiere at the 2019 Sundance Film Festival and was acquired by Amazon for $13M. Kaling counts two SAG ensemble wins and six Emmy noms for NBC’s The Office as EP and star. She also was the EP and star of The Mindy Project on Fox. Kaling is repped by CAA, 3 Arts and Ziffren Brittenham,
Goor is a two-time Emmy winning writer of The Daily Show and Late Night With Conan O’Brien. He is the co-creator of Universal Television’s Brooklyn Nine-Nine and was an EP and writer on NBC’s Parks and Recreation. He is repped by Ziffren Brittenham. Witherspoon is represented by CAA, LBI Entertainment and Hansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush, Kaller & Gellman.
Both Legally Blonde pics amassed close to $267M at the WW box office. The first title was a cash cow for MGM made for a reported $18M and earning $141.7M. The movies spawned a 2007 Broadway musical which received seven Tony nominations and ten Drama Desk nominations.
To coincide with receiving the Sherry Lansing Leadership Award and being named on the 2019 Women in Entertainment Power 100 from The Hollywood Reporter, Reese is featured on the cover of the December 11th issue of the magazine. Inside is a fantastic and in depth new interview, and a new photoshoot. Reese talks about how her career has developed, and there are some great quotes from co-stars and executives that have worked with her along the way. We’ll have scans for you as soon as we can!
How Reese Witherspoon Took Charge of Her Career and Changed Hollywood
Tired of dreadful scripts and degrading magazine spreads, the Oscar-winning actress, producer, entrepreneur and activist built an empire on her own taste and work ethic. Now she plots projects all over Hollywood and responds to critics of her paychecks: “Does it bother people when Kobe Bryant or LeBron James make their contract?”
“You ready for your eyes to roll back in your head?”
The warning comes an hour or so into lunch at L.A.’s members-only San Vicente Bungalows, once Reese Witherspoon has fished her phone from the depths of her designer purse and slid it across the table. There, on her screen, is an illustration that ran four years ago in Time magazine, accompanying a trend piece headlined “Hollywood’s New Domestic Divas.”
The Oscar-winning actress, who at the time had just launched her retail company, Draper James, is in the center, outfitted preposterously with a vacuum, an apron and an evening gown. She’s flanked by Gwyneth Paltrow, holding a strawberry shortcake her Goop devotees wouldn’t dare touch, and Jessica Alba, wielding an iron, despite her Honest company’s focus on diapers and baby wipes. Blake Lively and Lauren Conrad are pictured as well; with a mixing bowl (Lively had a lifestyle site) and cleaning supplies (Conrad’s Little Market sells everything but). They, too, are in formal-wear.
The passage of four years has not dulled Witherspoon’s outrage. She wondered: Where was George Clooney and his tequila? Or Mark Wahlberg and his burger joints? “What? Men are entrepreneurs but how dare we be anything more than actresses?” she asks, as a pair of attentive waiters clear the remains of her club sandwich. “We, as women, are expected to stay in our lane — that was the inference, and I had sleepless nights over it. I remember calling one of these other women going, ‘What are we doing about this?’ ”
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