Reese appeared on Jameela Jamil’s ‘I Weigh’ podcast today. This is an incredibly open interview with Reese talking about the media interest in her life, her mental health, and being in therapy, and then the more general topics of females in science/healthcare, representation of race/gender/other minorities, and why she turned to producing. It’s almost an hour long and worth listening to all of it:
What started with a social media post has become a movement, and now a podcast. On I Weigh, Jameela Jamil challenges society’s definition of worth through weight by asking different thought-leaders, performers, activists, influencers, and friends about how they are working through their past shames to find where their value truly lies. With hilarious and vulnerable conversations, I Weigh will amplify and empower diverse voices in an accessible way to celebrate progress, not perfection.
Reese Witherspoon joins Jameela to talk about how instagram helped her control her own narrative, struggling with postpartum depression, the red carpet advice Meryl Streep once shared, how “funny doesn’t sag,” and building her own media company.
In a nice moment of light relief, Reese is gracing the cover of the April issue of Vanity Fair magazine! The article focuses on Reese’s love of books and her success in turning books into well-received movies and TV series with strong female leads – including Little Fires Everywhere. It’s a long but good read, and always really nice to see Reese being celebrated and acknowledged in this way. The magazine also has a gorgeous new photoshoot! Read the interview below or at Vanity Fair, and find the photoshoot in our Gallery. We’ll have scans for you when the magazine is released on news-stands.
In recent years, Reese Witherspoon has turned her literary obsession into an empire. Her latest brilliant book adaptation: Little Fires Everywhere, which debuts March 18 on Hulu.
I first met Reese Witherspoon three years ago at Parnassus Books, the store I co-own in Nashville. She’d come to interview me for Hello Sunshine, her media company, and when the interview was finished, our events manager asked Witherspoon if she’d be willing to have her picture taken with one of our shop dogs, Mary Todd Lincoln, a dappled, silky dachshund who’d been photographed with any number of celebrities in the past. It’s Nashville, after all; it’s the kind of thing we do here. Witherspoon took the little dog and tucked her into an open space in the bookshelf behind her, then proceeded to run the gamut of human emotion: joy, surprise, eagerness, love, suffering, hope—spinning out a master class of acting in less than a minute. The amazing part was not how good Witherspoon was at this—she’s a very good actor—the amazing part was how she managed to shine the enormous light of her talent onto a nine-pound dog. In frame after frame, the viewer’s eye skips the movie star and goes straight to the dachshund, which first appears coy, then knowing, then resplendent. If Oscars were given to pups, everyone would have agreed that this was Mary Todd Lincoln’s year.
Jennifer Aniston & Reese Witherspoon On Battling Ageism, ‘The Morning Show’, & Dealing With Sexual Harassment In Hollywood
Among the many highlights of Apple TV+’s addictive The Morning Show are the quick-witted (and emotionally fraught) verbal sparring matches between America’s sweethearts Jennifer Aniston and Reese Witherspoon. On a recent afternoon in a suite at Claridge’s, however, the glossy, impeccably well-groomed pair are virtually cheerleading for each other in between feminist rants. “The most ageist stuff I ever heard was from financial advisors who said to me, ‘Start saving money now because at 40 you’re not going to be making anymore money,” says Witherspoon, leaning in towards me conspiratorially. “I make more money now in my 40s than I’ve made in my entire career… I remember a [specific] guy telling me that, and guess what? I fired him!” She pulls away and laughs. “That’s not a joke,” chimes in Aniston, grinning. “You tell them, sister!” rejoins Witherspoon.
You get the sense that Aniston and Witherspoon have been waiting their entire lives for a project like Apple TV+’s landmark series – for which both actresses are nominated for Best Actress in a TV Series: Drama at the Golden Globes tonight. Set over 24 days, the catalyst for the plot is a decidedly Today-esque scandal: Mitch (Steve Carrell), the long-term host of a morning news programme in Manhattan, is accused of sexually harassing coworkers and abruptly fired – much to the horror of Alex (Aniston), his co-host for the last 15 years. Brought in as his replacement on the whim of the ambitious head of the news division, Cory (Billy Crudup), is the fiery, inexperienced reporter Bradley (Witherspoon), who has a habit of going rogue on live television, pushing Alex even closer to the edge.
Critics may have been divided over the first episodes of the series – but, taken as a whole, its 10 hour-long instalments represent a more nuanced depiction of the fallout from #MeToo than any other series since the Weinstein allegations cracked the foundations of Hollywood. Through subplots that involve a host of what first appear to be minor characters – including junior network staffers played brilliantly by Bel Powley and Gugu Mbatha-Raw – The Morning Show broaches numerous thorny issues, from the nuances of sexual coercion (notably, Powley’s Claire has a consensual relationship with a much older senior weatherman) to the potentially exclusionary nature of mainstream feminism (“’Cause America loves a good Cinderella story as long as she’s a white girl,” says one of the few TV hosts of colour after she’s passed over for the job in favour of Bradley).
Ronan Farrow Hasn’t Seen The Morning Show Yet But ‘Thinks the World’ of Reese Witherspoon
Ronan Farrow is understandably busy at the moment, but he promises to stream a certain ripped-from-the-headlines series soon.
The Pulitzer Prize–winning journalist, 31, exposed alleged sexual misconduct and cover-ups at NBC when he published his book Catch and Kill last month.
The contents of Farrow’s best-seller mirror the fiction depicted in Apple TV‘s new drama series, The Morning Show.
Though he’s yet to tune into the show, which stars Reese Witherspoon and Jennifer Anniston, the writer tells PEOPLE he intends to binge-watch it eventually.
“I got a truly lovely note from Reese Witherspoon who I think the world of and is doing a lot of great things for reading too,” he tells PEOPLE. “You know, she really supports books, and she posted about Catch and Kill when it came out and that was wonderful to see as someone who admires her.”
He added: “The moment I have free time, I will watch, because a lot of great people worked on that.”
While Catch and Kill digs into real-world allegations against former morning news anchor Matt Lauer, Morning Show includes a Lauer-like character played by Steve Carell, who is ousted from his long-running television gig when his misconduct comes to light.
‘From Book To Script To Screen,’ Reese Witherspoon Is Making Roles For Women
Actor Reese Witherspoon became famous in her 20s after starring in films like Election and Legally Blonde, but by the time she entered her 30s, the film landscape had shifted. DVD sales had shrunk and smaller, female-centered movies were in short supply. It was nearly impossible to find good leading roles for women.
Witherspoon began asking different movie studios what projects they were developing for women. “With the exclusion of one studio, everybody said ‘Nothing. Nothing with a female lead,’ ” she says.
So Witherspoon decided to start a production company and began adapting books with complex female characters into films and TV shows. The idea was to create better parts for women — and to help female authors get their stories sold.
Witherspoon’s company spearheaded the adaptation of Gone Girl, Wild and Big Little Lies, among other titles. Looking back, Witherspoon describes her shift into producing as “betting on myself.”
Reese and Jennifer Aniston appeared on CBS’s This Morning show yesterday morning – watch the segment below:
Two of Hollywood’s biggest names, Jennifer Aniston and Reese Witherspoon, are teaming up for “The Morning Show” as the leading ladies and executive producers of the new Apple TV+ series. From the Me Too movement’s impact on the series to how they drew from their own experiences, “CBS This Morning” co-host Gayle King spoke to Aniston and Witherspoon about the project.
‘The Morning Show’: How the #MeToo Movement Led to Big Changes on Apple’s Flagship Drama
Since it was first announced in November 2017, many rumors have popped up about “The Morning Show.” The Jennifer Aniston- and Reese Witherspoon-starring drama would be a family-friendly look at morning talk shows. It would steer away from topical, controversial content. It would only be available to people with Apple devices.
None of this is true, and as we approach its November 1 release date, the curtain over the biggest Apple TV+ series in the inaugural lineup is slowly being drawn back. During a press conference Sunday afternoon [13th October] — fittingly held at a Hollywood hotel that hasn’t even opened yet — Aniston and Witherspoon joined co-star Steve Carell and producers Kerry Ehrin, Michael Ellenberg, and director Mimi Leder to discuss the series’ veiled development.
Speaking to the show’s mature and timely content — which is very much a part of the hourlong drama — the group addressed how the #MeToo movement affected their story.
“The show existed before #MeToo happened,” Aniston said. “The show was always going to be pulling a curtain [back] on the New York media world and the morning talk shows. [But] once #MeToo happened, the conversation drastically changed and we just incorporated it [into the show.]”
When it earned a two-season, direct-to-series order from Apple in late 2017, “The Morning Show” was developed under writer and executive producer Jay Carson. But the #MeToo movement picked up steam shortly thereafter, and Apple soon signed Ehrin to an overall deal and hired her as the series’ new showrunner. Carson reportedly left amicably due to creative differences.
“We all sat and thought about what the tone would be,” Aniston said. “We wanted it to be raw, honest, vulnerable, and messy — and not black-and-white, obviously. As we were all stumbling along trying to figure out what is this narrative and what’s happening, this show was writing itself as we went along — well, the news was helping us.”
October 12, 2019 • Category: Career, Times Up •
Comments Off on Meaningful Change at Last? Women Gain Ground in Hollywood
Meaningful Change at Last? Women Gain Ground in Hollywood
Women in Hollywood are finally starting to exhale. Two years after sexual misconduct allegations against Harvey Weinstein first broke, turbocharging the #MeToo and Time’s Up movements, there’s a growing sense among women in showbiz that meaningful change is underway — though much remains to be done before true parity is reached.
“There have been some good inroads,” says Donna Langley, chairman, Universal Filmed Entertainment Group, whose studio was the first major to sign on to USC Annenberg Inclusion Institute and Time’s Up’s 4% Challenge for female directors in January. “It’s never going to feel like it’s enough. It’s never going to be enough — this is work that is going to be ongoing.”
Langley’s views were echoed by other women surveyed by Variety for its annual Women’s Impact Report. They reported increased opportunity behind and in front of the camera.
“I think we’ve made an incredible amount of progress just by opening up the conversation,” says Reese Witherspoon. She was so frustrated about the lack of substantial roles for women that she founded Hello Sunshine, a media company dedicated to female storytelling, three years ago. She is now producing and starring in some of the projects in its pipeline, including Apple TV Plus’ “The Morning Show” opposite Jennifer Aniston.
“Female directors are working so much, and it’s enormously encouraging,” she says. What’s more, their authority is better respected on set and elsewhere. “I used to work with female directors and people would just talk over them,” but now “there’s a real consciousness to listening to women that was never here before.”
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