Reese Witherspoon Sets Home-Organizing Series at Netflix
Netflix is doing a little more tidying up.
Eight months after Tidying Up With Marie Kondo debuted on the streamer, it has ordered another home-organization series that counts Reese Witherspoon and Molly Sims among its executive producers.
The as-yet untitled, eight-episode show will feature Clea Shearer and Joanna Teplin, who founded design-centric home-organization company The Home Edit and have parlayed their success into a best-selling book and now the Netflix series. Each hourlong episode will take on two organization projects shaped by Shearer and Teplin’s unique sense of form-meets-function.
Subjects in the series will be a mix of everyday families and celebrity clients.
Sims and Witherspoon previously worked with Shearer and Teplin on a series called Master the Mess, which aired on DirecTV in 2018. They are executive producing the Netflix show with Charlotte Koh and Cynthia Stockhammer of Witherspoon’s company, Hello Sunshine; Critical Content’s Tom Forman, Jenny Daly and Jon Beyer; and showrunner Tess Gamboa Meyers, a veteran of Project Runway and Little Women: NY.
The series will join a roster of unscripted shows on Netflix that also includes Queer Eye, Nailed It!, The Chef Show, Selling Sunset, The Final Table and Street Food, among numerous others.
To celebrate their 25th anniversary, In Style have gathered several of their most famous cover stars from the past 25 years to each take a trip down memory lane and look back at their previous In Style covers. As well as talking us through their covers, the stars have been photographed for the current issue in a way that reflects their current selves. Reese tells us about her covers from 2002, 2004, 2009, 2015, 2016 & 2019, and for the latest photoshoot was snapped in May in New York City.
You can browse through all of the featurettes at InStyle.com. Read Reese’s article at InStyle.com or below, and find the photo in our Gallery. We’ll have scans for you asap.
Reese Witherspoon Doesn’t Want You to Worry
“In my early 20s I used to worry a lot. I was worried about being a good mom. I was worried about being a good actress. I worried about whether or not people respected me, or if I was kind enough. But in the end it all works out. Really!”
I was on my first InStyle cover in 2002, when I was 26. I had always been a fan of the magazine, so it was a big deal. Looking at that cover now, I can’t help but feel tender toward baby Reese and anyone else who’s going through that phase of life when they’re discovering who they are, especially in the public eye. I know what she’s about to go through and endure and triumph over, but she has no idea what’s to come, despite the fact that she does look all coy and knowing. I’m an actor: I might look like I know things sometimes, but I don’t.
Since then I’ve been on the cover of InStyle five more times. I guess you could say I’ve been swimming in the soup. It’s been a huge privilege and an honor. Sometimes I do cringe when I look back [at images of myself], but it’s only because I can’t believe I cut my hair or plucked my eyebrows a certain way. More than that, I usually just think about what a lovely way it is to remember milestones in my life, like finishing a project I was really proud of or having kids. It’s crazy how time flies, but I’ve learned so much about myself over the years. There’s a pretty good quote in my 2002 cover story where I said, “Listening to other people’s ideas about who you are can eat you up. Do they like me? Do they hate me? You could think about it all day long.” That’s something people say in their 20s. Once you’re in your 40s you don’t care what people think.
I came up in a time when Hollywood was about one body type, one beauty standard [blond hair and blue eyes]. Still, I was confident that the substance of what I had to say was more important than any external validation. I was always just being myself: a young mom, a comedian, a goofball. I’ve always been a goofball. I feel more comfortable making funny faces than serious faces, and even at 26, I wasn’t appearing on the covers of men’s magazines. That kind of hypersexualization made me feel awkward, and if I felt that way, I didn’t want to make other women feel that way.
Studios are bidding on Pyros, an intriguing package that has Reese Witherspoon attached to star in a sci-fi film she will produce with Simon Kinberg. The film will be written by Thomas Pierce, who is adapting his short story Tardy Man, which published last year in The New Yorker. Pierce has done well with this strategy: his short story Chairman Spaceman was bought and is being developed by Fox Searchlight. Kinberg is producing that one as well.
Hello Sunshine’s Witherspoon and Lauren Neustadter are producing with Genre Films’ Audrey Chon.
Tardy Man deals with a group of augmented people who are fitted with indestructible fire suits that are fused to their spines. They work for a corporation that recovers objects for wealthy people when their houses are burning. It is strictly forbidden for them to veer from their salvage missions, even when other humans are in danger. The protagonist decides to make an exception to this rule and that is the jumping off point.
I’m told that numerous offers are on the table. This is one of the high profile star packages currently drawing bids; the other is Don’t Worry Darling, a genre spec script that Booksmart‘s Olivia Wilde will direct and star in.
CAA is in the middle of both auctions, which are expected to sort themselves by next week. Witherspoon is managed by LBI and the writer by Kaplan/Perrone.
Following on from our previous 2014 TV appearance update, we have an even bigger one for you this weekend! Over 6,000 photos & screencaptures from Reese’s TV appearances in 2015 have been added to our Gallery in the last few weeks. Reese started off the year with a couple of appearances to promote Wild during awards season, then promoted Hot Pursuit, and within that did some promotion for Draper James. She and Sofia Vergara also did the rounds of various Mexican talk shows which was fun to watch.
We’ve also added a few sets of screencaptures from some online interviews released this year. The Fandango interview is particularly great – Reese and the interviewer watch a scene from Wild and talk through it in depth.
I loved Reese’s interviews this year and she looked amazing! There are so many fabulous photos to browse through in this update, including rare photos from the Mexican TV shows. My favourites are the Despierta America, Good Morning America and Live With Kelly & Michael photos Many of the interviews are posted further down this post for you to watch, and enjoy browsing through the screencaptures in the Gallery:
How Reese Witherspoon went from A-list actor to bankable producer of Big Little Lies
Reese Witherspoon took control of her career as a teen and is still calling the shots as a producer of successful films and TV shows including Big Little Lies.
It pays not to underestimate Reese Witherspoon.
The Oscar-winning actor, mother of three and super producer of Foxtel’s Big Little Lies has been finding a way to go after what she wants since her teenage years.
Enrolled to study at prestigious Stanford University, the then 18-year-old was largely taking on college at the urging of her mother Betty.
Having played small roles in movies since the age of 14, Witherspoon had already set her heart on a career in showbiz, but was being thwarted by her more sensible mother determined her daughter would get a tertiary education.
That was until Hollywood kept calling.
“I called my mother and I said, ‘Mum, they want me to be in a movie and it pays more than my tuition.’ I could barely afford my tuition, so she was like, ‘OK, well as long as you promise to go back.’ I did the movie and then I got another movie. I called her and she was like, ‘It’s fine if you are doing it but as long as you go back to college’,” a routine conversation that would continue, Witherspoon explained, “until I bought her a house when I was 27 years old. Then she was fine!,” she laughed.
More than 40 movies later, Witherspoon is still calling the shots in her career — plotting her own course and creating her own opportunities with her production company, Hello Sunshine.
She would apply this same single-minded focus and determination when it came to her latest success story — co-producing HBO drama hit, Big Little Lies with Australia’s own Nicole Kidman.
July 14, 2019 • Category: Hello Sunshine, News & Gossip, Producing •
Comments Off on WarnerMedia Streaming Service Gets A Name, Will Include Greg Berlanti & Reese Witherspoon Films
WarnerMedia Streaming Service Gets A Name, Will Include ‘Friends’ Library, Greg Berlanti & Reese Witherspoon Films, CW Series
WarnerMedia has officially anointed its soon-to-launch streaming service HBO Max, which will carry full-season libraries of Friends as well as The Fresh Prince of Bel Air and Pretty Little Liars.
Under new arrangements with Warner Bros Television and others, all 236 episodes of Friends — a longtime mainstay of Netflix — will come to the new service, as will an estimated rollout of 10,000 hours of programming at launch. WarnerMedia has said a beta version of HBO Max will be out by the end of 2019, with a full-bodied version in spring 2020. An ad-supported offering is also in the works, though subscription will be the first phase.
Pricing remains a key strategic question. Disney’s reveal in April of its Disney+ service at just $7 a month has set forth a challenge for many competitors. WarnerMedia is in a particular bind, with HBO’s relationships with pay-TV operators (who have partnered to develop the network over many decades) keeping the price of stand-alone service HBO Now at $15 a month. Most observers expect WarnerMedia to price HBO Max above the current level for HBO Now, though the company and its parent, AT&T, have not yet disclosed pricing details. It is also unclear how — or if — HBO Max will be differentiated from HBO Now, the stand-alone service that has racked up 8 million subscribers since its 2015 launch.
Disney, NBCUniversal and Apple are all preparing major new entrants in the streaming wars, a long-developing response to Netflix’s steady climb to more than 150 million global subscribers.
Greg Berlanti, who is locked into a rich Warner Bros deal, is also going to be supplying four new movies for the service, and Reese Witherspoon’s Hello Sunshine will produce at least two films.
Reese Witherspoon spills the beans on friendship with Big Little Lies co-star Nicole Kidman
Friends and business partners, Big Little Lies co-stars Reese Witherspoon and Nicole Kidman share an intense and complex bond.
In an candid new interview with news.com.au, Witherspoon lifts the lid on their relationship, which — like that of so many female co-stars in Hollywood — has faced many a tabloid report of “secret feuding”.
“We’ve gotten along, we’ve had fights, and we’ve gotten over it,” explains Witherspoon.
The Oscar-winning actresses and producing partners clearly spend a lot of time together. “We’ve had every kind of experience together. We’ve been on vacation, we’ve worked together and we’ve disagreed about things, but I think that’s the beauty of having a real partnership with someone. Ours is a real friendship. It’s not a fake, phony Hollywood picture, you know? I really value that about our friendship.”
Prior to their collaboration as producers on Big Little Lies, they knew each other socially but became close friends once they started working together on the award-winning series, which is available to stream on Foxtel.
“Nicole and I were talking today about how fortunate we are to have each other through this (Big Little Lies) process. It’s the biggest success I’ve ever had with another woman, in my entire career, and hers. For me, to have that experience with her, to be in the trenches with her, it’s been everything.”
Both actresses are hands-on producers and were on-set much of the time.
Reese is featured in ‘This Changes Everything’, a new documentary about the under-representation of women in media from the Geena Davis Institute on Gender in Media. She is interviewed within the documentary, to talk about how she “started developing these projects with smart, articulate capable women” due to the lack of projects for women. The documentary will be shown on July 22nd in New York and California – find more information at the official site. Watch the trailer below (although Reese is not featured in it):
Told first-hand by some of Hollywood’s leading voices behind and in front of the camera, THIS CHANGES EVERYTHING is a feature-length documentary that uncover what is beneath one of the most confounding dilemmas in the entertainment industry – the underrepresentation and misrepresentation of women. It takes an incisive look at the history, empirical evidence, and systemic forces that foster gender discrimination and thus reinforce disparity in our culture. Most importantly, the film seeks pathways and solutions from within and outside the industry, and around the world.
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