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December 8, 2014   •  Category: "Wild", Producing0 Comments

Witherspoon’s ‘Wild’ Opening Weekend Treks Into Solid Box-Office Territory

Wild, starring Reese Witherspoon in the film adaptation of Cheryl Strayed‘s memoir of a life-changing hike, blazed a trail into solid box office territory, opening in 21 theaters over the weekend with a $630K gross. The feature, which Witherspoon also produced under her Pacific Standard label, was easily the weekend’s biggest newcomer with a $30K per-theater average. Alan Turing biopic The Imitation Game, meanwhile, once again took the weekend’s highest PTA numbers as it added locations in its second week.

The Searchlight title opened in New York and L.A. Wednesday, expanding for the weekend to 21 theaters in 7 markets. Director Jean-Marc Vallée‘s previous film, Dallas Buyers Club, opened in November 2013 with a nearly $29K PTA, and went on to cume nearly $27.3M and three Oscars, including Best Actor for Matthew McConaughey. Searchlight said it plans to keep Wild hiking through theaters for a lengthy period to come.

“The reviews have been phenomenal and the response at the box-office this weekend was great as well,” Searchlight said in a release. “The film performed well in both Art/Specialty venues as well as in upscale mainstream complexes indicating to us that the film should be able to reach a very broad audience. We are very encouraged by this weekend’s results,” the company said Sunday reporting its numbers. Wild will open in 13 additional markets and expand in some cities where it’s currently playing, playing up to 100 theaters by Dec. 12, and as many as 900 theaters by Christmas Day.

Deadline



December 7, 2014   •  Category: "Wild", Awards & Nominations0 Comments

Palm Springs Film Fest: ‘Wild’ Star Reese Witherspoon to Receive Chairman’s Award

Reese Witherspoon will receive this year’s Chairman’s Award at the Palm Springs International Film Festival’s 26th annual PSIFF Awards Gala on Jan. 3 in recognition of her work in the Fox Searchlight drama. The fest will run Jan. 2-12.

The Oscar-winning star of Wild, which opened in select theaters on Wednesday, joins illustrious company with Ben Affleck, George Clooney, Richard Gere, Tom Hanks, Dustin Hoffman and Nicole Kidman all previous recipients of PSIFF’s Chairman’s Award.

“Witherspoon delivers one of her finest performances in Wild,” said PSIFF chairman Harold Matzner in a statement. “[She] brilliantly brings to life the true story of Cheryl Strayed, adding yet another iconic performance to her impressive 20-year span of characters.”

Witherspoon’s other acting credits include The Man in the Moon (1991), Fear (1996), Pleasantville (1998), Election (1999), Legally Blonde (2001), Sweet Home Alabama (2002), Vanity Fair (2004), Walk the Line (2005), Just Like Heaven (2005), Rendition (2007), Mud (2012) and, this year, Philippe Falardeau’s The Good Lie and Paul Thomas Anderson’s Inherent Vice.

PSIFF previously announced that Boyhood’s writer-director Richard Linklater will receive this year’s Visionary Award; The Theory of Everything’s lead actor Eddie Redmayne and Still Alice’s lead actress Julianne Moore will receive this year’s Desert Palm Achievement awards; Whiplash’s supporting actor J.K. Simmons will receive this year’s Spotlight Award; that Rosamund Pike will be honored with its Breakthrough Performance Award.

THR



Harper’s Bazaar UK start our year off with a bang with Reese on the cover of their January issue! She looks beautiful in a new photoshoot for the magazine, and talks to them about the production of Wild.

The magazine is available on newsstands tomorrow – pick up a copy!!

‘I would have fired myself a couple of times during rehearsals because I was so scared, oh my God. I got my shit together, but it took me a while.’ – Reese Witherspoon



Reese Witherspoon is Bazaar’s January Cover Star

Far from the cliché of the all-American blonde, Reese Witherspoon is a sophisticated, intelligent star who revels in making tough choices, in work and in life.

Reese Witherspoon is doing what she does best: playing up for the camera. In this case, that means dancing to hip-hop on the Bazaar photo-shoot, dressed in an A-line Michael Kors skirt that jiggles about her like a starched crinoline. Here she goes again, dipping, bopping and shimmying. Watching her from the sidelines, I have to say she’s fantastically entertaining, her face a rolling cartoon strip of perky expressions. Photo-shoots don’t come easily to all actresses but Reese is, as you might expect, handling herself like a pro.

In keeping with the shoot’s vague premise – a 1950s Beverly Hills housewife going about her day – Witherspoon cranes her neck to look past the assembled crew here in the kitchen towards the front porch. Suddenly, she’s the picture of wifely anticipation, her ears pricked up as if her imaginary husband were just now pulling into the driveway and about to barrel through the door with a cheery ‘Honey, I’m home.’

It’s impressive to see and gratifying to have one’s expectations borne out. Because isn’t this the Witherspoon we know and love? Bright, breezy and boundlessly energetic, the seasoned crowd-pleaser who has been at it since the age of 14, the Southern gal with a gift for comedy. Yes, it is, to an extent. But getting the full measure of this 38-year-old, we’d better not reduce her to that. There is a cautionary tale being told here about Hollywood and the media, and Witherspoon is the one telling it. It goes something like this: ‘Don’t put me in that box. Or any box, for that matter. People are complex, on-screen and off. Can’t we do justice to that?’ It’s a word that comes up time and again in discussions with and about her: complex.

HarpersBazaar.co.uk



November 26, 2014   •  Category: "Wild", Gallery Updates, News & Gossip, Producing, Video Updates0 Comments

Julianne Moore (Still Alice), Laura Dern (Wild), Patricia Arquette (Boyhood), Hilary Swank (The Homesman), Felicity Jones (The Theory of Everything), Reese Witherspoon (Wild) and Amy Adams (Big Eyes) discuss their critically acclaimed roles in 2014.





October 14, 2014   •  Category: Producing, Role Rumors0 Comments

Reese Witherspoon’s Peggy Lee Film Lands Director

The untitled Peggy Lee film starring Reese Witherspoon is back on, with Far From Heaven helmer Todd Haynes directing.

The project, based on a Nora Ephron screenplay, had been put on hold after Ephron died in 2012. Pulitzer Prize-winning playwright Doug Wright (I Am My Own Wife) picked up the reins and did a rewrite of the screenplay. His credits include both the stage and film versions of Quills.

Witherspoon, who is at the Toronto Film Festival promoting Wild and The Big Lie, has long eyed the story of the Fever singer whose career in music spanned six decades. Lee died in 2002.

The project is set up at Fox 2000, which made Walk the Line, for which Witherspoon won a best actress Oscar.

Marc Platt, who produced Witherspoon’s two Legally Blonde films, is producing.

Haynes, who is known for directing strong female performances like Julianne Moore’s Oscar-nominated turn in Far From Heaven, most recently directed the Bob Dylan pic I’m Not There. He is in post-production on the Rooney Mara-Cate Blanchett starrer Carol.

Haynes is repped by CAA and attorney John Sloss.

Wright is handled by ICM Partners.

THR



October 14, 2014   •  Category: "Wild", Producing0 Comments

Reese Witherspoon says Wild role was ‘hardest’ of career

Hollywood star Reese Witherspoon has said her new film Wild was the most challenging of her career to date.

The Oscar-winning actress plays a young woman who goes on a 1,100-mile hike across the Pacific Crest Trail after the break-up of her marriage.

Based on the memoir by Cheryl Strayed, Witherspoon’s role involves scenes of explicit sex and drug taking.

“It’s the hardest I’ve ever done for many different reasons,” Witherspoon told reporters in London.

“The physicality was really difficult, but after that was the emotional part of it,” she continued ahead of the film’s European premiere.

“The sex scenes were the hardest thing for me to do. I’ve never had to do anything like that in my entire life.

“I had to do all the parts of the movie, the parts that made me feel uncomfortable too, because it is about emotional honesty,” the 38-year-old went on.

The actress, who also co-produced the film, has been tipped as a frontrunner for next year’s best actress Oscar.

Continue reading this entry »



Toronto: Reese Witherspoon Talks Female Empowerment, Saying No to Sexual Shame

Wild wasn’t just the most physically challenging role of Reese Witherspoon’s career. It also offered the actress an opportunity to have a frank discussion about sexuality with her 15-year-old daughter.

“There’s a lot of explicit sex scenes in this movie,” Witherspoon said during a Mavericks conversation Sunday night at the Toronto Film Festival. “And she’s like, ‘Oh no!’ ”

In a wide-ranging discussion, which took place at Glenn Gould Studio, the actress talked about tackling Jean-Marc Vallee’s film — based on a best-selling memoir by Cheryl Strayed — as well her role in another Toronto film, Philippe Falardeau’s The Good Lie.

She said there’s a lesson in Wild, which centers on a sexually daring woman who overcomes a string of personal tragedies by hiking more than 1,000 miles of the Pacific Crest Trail. The lesson: Young girls are conditioned to feel shame about their sexuality, and that’s not OK.

“It’s such an important message about female sexuality,” she said. “We kissed that guy or we had sex with that dude in college. We’re totally ashamed of so many things. I think this movie says, ‘That’s OK. Maybe I was meant to sleep with all those guys. Maybe I wanted to. Maybe if I could go back and do it all again, I’d do the same thing.’ It’s a total liberation, especially for young women.”

Witherspoon talked about her own youth as the daughter of a doctor father and a nurse mother and how she thought she was destined to be a doctor until she saw a casting notice at the age of 14 for Robert Mulligan’s The Man in the Moon. She landed the part, which led eventually to her breakout role as Tracy Flick in Alexander Payne’s Election, which she dubbed “a huge flop.”

“Election cost $10 million and made $11 million,” Witherspoon said. “It was actually a huge flop. A critical success but a huge flop.”

Continue reading this entry »



June 21, 2014   •  Category: "The Good Lie", Producing0 Comments

Reese Witherspoon Drama ‘The Good Lie’ Shifts to October Release

It’s Reese Witherspoon versus the Rapture after Warner Bros. pushed the debut of the Oscar-winning actress’ upcoming indie drama “The Good Lie” back a month.

The film, which centers on the bond between an American woman and a young refugee of the Sudanese Civil War, will premiere on Oct. 3, 2014. It will face off against “Left Behind,” the adaptation of the best-selling end times books with Nicolas Cage, and “Gone Girl,” David Fincher’s take on Gillian Flynn’s mystery novel with Ben Affleck.

It will open in limited release. “The Good Lie” was originally slated to debut on September 10, 2014, a date it had to itself. The Tom Hardy crime thriller “The Drop,” the thriller “No Good Deed” and the Tina Fey and Jason Bateman comedy “This is Where I Leave You” all open two days later.

Philippe Falardeau (“Monsieur Lazhar”) directs “The Good Lie” from Margaret Nagle’s screenplay.

Variety










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Current Projects
The Morning Show (2019)
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Legally Blonde 3 (202?)
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