The Hollywood Reporter have published a fantastic interview with Reese in which she talks in depth about her entire career – from the early days of advertising campaigns, to her 90’a movies Fear, Twilight, Election, moving onto Legally Blonde, Sweet Home Alabama and Vanity Fair, Oscars days of Walk The Line, her low patch of 2008-2012, then moving into producing Wild and Gone Girl, and the process of Big Little Lies. This is a must-listen!
‘Awards Chatter’ Podcast — Reese Witherspoon (‘Big Little Lies’)
‘America’s Sweetheart’ reflects on becoming an A-list superstar, hitting a terrible slump during which she was declared a ‘has-been’ and then reinventing herself as an actress/producer and Oprah-like champion of great books.
“I won the Oscar and I felt really confused about what to do next,” Reese Witherspoon confesses, in reference to her 2006 best actress victory for playing June Carter Cash in Walk the Line, as we sit down at the Formosa Recording Studio in Santa Monica to record an episode of The Hollywood Reporter’s ‘Awards Chatter’ podcast. “I had paralysis — Oscar-induced paralysis,” she adds, along with her trademark giggle. “You don’t know what to do!” For Witherspoon, who had been on Hollywood’s A-list since 2001’s Legally Blonde, it marked the beginning of several years of personal and professional frustration, during which some began to write her off. “Someone in The New Yorker said that I was ‘a has-been’ or my career was over, and I remember thinking — how old was I in 2012, like 36? — I was like, ‘Wow, that’s brutal!’ That really bugged me.” But what no one, including Witherspoon, could have known — or even imagined — at that time was that her best days still were ahead of her, and that by 2017, she not only would have re-established herself as one of the most popular and respected actresses in the business (picking up an Oscar nom for 2014’s Wild and an Emmy nom for 2017’s Big Little Lies), but also as an Oscar- and Emmy-nominated producer (for those same two projects) wielding influence in the literary community not unlike that of Oprah Winfrey.
Witherspoon was born in New Orleans to a father who served in the Air Force and a mother who was a delivery nurse. The family moved around, but ultimately settled in Nashville, where their precocious young “type A” daughter soon began taking acting lessons and appearing in advertisements and commercials, landing a local agent at the age of 12. At 14, during the summer before starting high school, she found her first starring role in a movie, Robert Mulligan’s 1991 film The Man in the Moon. Even before the film’s release, her screen test went viral, and she quickly became in-demand. Throughout high school, she would work during the summers. She then starred in 1996’s Freeway, turning in a performance that “got a lot of attention,” during a gap-year before enrolling at Stanford; but she then spent just seven months at Stanford before irresistible film offers led her to move to Los Angeles and focus full-time on her career.
As a young-adult actress, Witherspoon gave memorable performances in strong films like Gary Ross’ Pleasantville (1998), as a nineties girl who finds herself in the fifties, and Alexander Payne’s Election (1999), as an ambitious and calculating high school student who “became a political archetype.” Then, in 2001, she played Elle Woods, a material girl who pursues her ex all the way to Harvard Law School, in Robert Luketic’s Legally Blonde. The $11 million movie had a $20 million opening weekend and made her, at just 23, and already a mother of a 1-year-old, a huge star. “I loved that character” and “underdog story,” she reflects, while also remembering the baggage that came with its success. “That’s when paparazzi started for me,” she says. “That’s when I started getting chased by 10 or 15 people.”
Inside Vanity Fair’s First Founders Fair with Reese Witherspoon, Sasheer Zamata, Tory Burch, and More
At Vanity Fair’s inaugural Founders Fair last April, entrepreneurial women—including Tory Burch, Reese Witherspoon, and the co-chairs of the Women’s March—talked about what it takes.
While there’s ample evidence that there are still ceilings for professional women to shatter (Exhibit A: the White House), female entrepreneurs are having a moment. This was plain to witness at the first Vanity Fair Founders Fair, at 1 Hotel Brooklyn Bridge, in April, where risk-takers, business leaders, and investors shared stories of having ignored naysayers and turning bright ideas into businesses. Tory Burch, in conversation with Vanity Fair editor Graydon Carter, explained why she firmly believes retail still has a place—alongside e-commerce—in her eponymous fashion empire. The national co-chairs of the Women’s March told how they turned angst from disparate Facebook groups into 1.2 million placard-wielding, pink-hat-wearing demonstrators the day after Donald Trump’s inauguration. Reese Witherspoon—a producer, Oscar-winning actress, and the founder of lifestyle brand Draper James—revealed how she still isn’t taken as seriously as her male counterparts. “A guy has one hit and they say he deserves an Oscar. One guy will have a hit at Sundance and he gets Jurassic Park,” she said. “A woman has a hit at Sundance and it takes her like six more movies to get a big movie.” Indeed, grit was a theme of the event. Julie Deane, founder of the Cambridge Satchel Company, described how she started her business by calling a shopkeeper every 35 minutes for almost two days until he revealed the name of a key supplier. “This is where being the most tenaciously annoying person and the best nagger in the world really comes into its own,” she declared. With founders such as Deane growing in force, the glass ceiling doesn’t stand a chance.
Jennifer Aniston, Reese Witherspoon to Star in Series About TV Morning Shows
More than a decade after Friends wrapped its run, star Jennifer Aniston is plotting her return to the small screen.
In one of the largest TV packages to date, Aniston and Reese Witherspoon are attached to star in an untitled series exploring morning shows and the larger New York media scene that they inhabit.
The package, which has not yet hit the market, is expected to be taken out to premium cable outlets like HBO and streaming services including Netflix. Given the stars attached, it is expected to draw significant interest from multiple bidders.
The project is based on an original idea and is being spearheaded by former HBO head of drama Michael Ellenberg and his newly launched film and TV production company Media Res. Jay Carson (House of Cards) is attached to pen the script and exec produce. Academy Award nominee Steve Kloves (Wonder Boys, Harry Potter) will executive produce. Witherspoon will also executive produce alongside her Hello Sunshine banner topper Lauren Levy Neustadter. Aniston also will be credited as an executive producer.
Aniston and Witherspoon, who memorably guest starred as Aniston’s younger sister on Friends, have remained friends over the years.
Deadline hosted a ‘For Your Consideration’ panel and Q&A For Big Little Lies on Tuesday, in honour of its impressive 16 Emmy nominations. Reese, Nicole Kidman, Jean-Marc Vallee and Alexander Skarsgaard were in attendance and spoke about how they got the show into production and some of the issues raised within the show. Reese wore a monochrome dress by Oscar de la Renta with Stella Luna shoes. I love seeing the cast together again! We have HQ photos in our Gallery for you, and several videos from the panel and red carpet within this post:
To celebrate our 16 years online, here we are spotlighting 16 of our favourite Reese things from the past 16 years. You will see a new one upon refreshing or changing the page.
"It took me years to be the woman my mother raised. It took me 4 years, 7 months and 3 days to do it, without her. After I lost myself in the wilderness of my grief, I found my own way out of the woods."
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