One of the many films Reese and Hello Sunshine have been working on producing is Lucy In The Sky, a sci-fi drama directed by Noah Hawley and starring Natalie Portman and Jon Hamm. The two stars of the film talked about Reese’s involvement as producer in a new interview with Entertainment Weekly:
Natalie Portman, Jon Hamm talk Lucy in the Sky, astronaut love, and interstellar f—kboys Fresh from the film’s Toronto International Film Festival debut, the stars talk about their cosmic attraction at the center Noah Hawley’s bonkers drama ‘Lucy in the Sky’
Some romances are written in the stars; others are written because of the stars, as is the case for Natalie Portman and Jon Hamm‘s otherworldly obsession in the upcoming Reese Witherspoon-produced movie Lucy in the Sky.
Inspired by real-life astronaut Lisa Nowak’s mental unraveling after she manned the space shuttle Discovery’s STS-121 mission in July 2006, Legion creator Noah Hawley crafted a sci-fi-tinged psychological journey into the damaging effects of one astronaut’s life-altering voyage that triggered a violent episode of near-fatal attraction. The film follows Portman as Lucy Cola, a star-gazing space-traveler who, after returning to earth from a lengthy mission beyond the atmosphere, has a steamy affair with her mysterious coworker, Mark (Hamm), who thrusts her world into a state of philosophical chaos. Still, as Lucy’s grip on reality loosens, her feelings for Mark intensify, leading to the film’s increasingly trippy exploration of a cosmic alignment of two disparate hearts (that ultimately leads to an epic conclusion too bonkers to spoil here).
Also starring Dan Stevens, Ellen Burstyn, Zazie Beetz, Colman Domingo, Tig Notaro, and Nick Offerman, Lucy in the Sky rockets into theaters on Oct. 4. Ahead of the film’s release, which follows its world premiere at the 2019 Toronto International Film Festival, read on for EW’s full conversation with Portman and Hamm, in which they discuss their characters’ zany chemistry and Witherspoon’s impact as a producer.
What were Reese Witherspoon’s contributions like as a producer? PORTMAN: Reese is an amazing person and an amazingly involved producer. She wasn’t on set because she was filming her show at the same time, but our script was the product of her input, ideas, and notes when she was developing it, and also in the post process, she was involved in watching and talking about it with us and Noah. She’s so sharp, smart, and generous. She’s been like a real sister and role model just for that, being able to do everything and be kind and generous while creating work for hundreds of other people.
Reese Witherspoon Sets Home-Organizing Series at Netflix
Netflix is doing a little more tidying up.
Eight months after Tidying Up With Marie Kondo debuted on the streamer, it has ordered another home-organization series that counts Reese Witherspoon and Molly Sims among its executive producers.
The as-yet untitled, eight-episode show will feature Clea Shearer and Joanna Teplin, who founded design-centric home-organization company The Home Edit and have parlayed their success into a best-selling book and now the Netflix series. Each hourlong episode will take on two organization projects shaped by Shearer and Teplin’s unique sense of form-meets-function.
Subjects in the series will be a mix of everyday families and celebrity clients.
Sims and Witherspoon previously worked with Shearer and Teplin on a series called Master the Mess, which aired on DirecTV in 2018. They are executive producing the Netflix show with Charlotte Koh and Cynthia Stockhammer of Witherspoon’s company, Hello Sunshine; Critical Content’s Tom Forman, Jenny Daly and Jon Beyer; and showrunner Tess Gamboa Meyers, a veteran of Project Runway and Little Women: NY.
The series will join a roster of unscripted shows on Netflix that also includes Queer Eye, Nailed It!, The Chef Show, Selling Sunset, The Final Table and Street Food, among numerous others.
August 6, 2019 • Category: Hello Sunshine, Video Updates •
Comments Off on Reese Witherspoon Educates the Filmmakers of Tomorrow | 2019 Filmmaker Lab – Trailer
Reese Witherspoon is back with year two of the AT&T Hello Sunshine Filmmaker Lab! In this trailer, you’ll meet tomorrow’s filmmakers as they learn the tools of the trade from some of Hollywood’s most talented women. Check back for the short film, coming soon!
To celebrate their 25th anniversary, In Style have gathered several of their most famous cover stars from the past 25 years to each take a trip down memory lane and look back at their previous In Style covers. As well as talking us through their covers, the stars have been photographed for the current issue in a way that reflects their current selves. Reese tells us about her covers from 2002, 2004, 2009, 2015, 2016 & 2019, and for the latest photoshoot was snapped in May in New York City.
You can browse through all of the featurettes at InStyle.com. Read Reese’s article at InStyle.com or below, and find the photo in our Gallery. We’ll have scans for you asap.
Reese Witherspoon Doesn’t Want You to Worry
“In my early 20s I used to worry a lot. I was worried about being a good mom. I was worried about being a good actress. I worried about whether or not people respected me, or if I was kind enough. But in the end it all works out. Really!”
I was on my first InStyle cover in 2002, when I was 26. I had always been a fan of the magazine, so it was a big deal. Looking at that cover now, I can’t help but feel tender toward baby Reese and anyone else who’s going through that phase of life when they’re discovering who they are, especially in the public eye. I know what she’s about to go through and endure and triumph over, but she has no idea what’s to come, despite the fact that she does look all coy and knowing. I’m an actor: I might look like I know things sometimes, but I don’t.
Since then I’ve been on the cover of InStyle five more times. I guess you could say I’ve been swimming in the soup. It’s been a huge privilege and an honor. Sometimes I do cringe when I look back [at images of myself], but it’s only because I can’t believe I cut my hair or plucked my eyebrows a certain way. More than that, I usually just think about what a lovely way it is to remember milestones in my life, like finishing a project I was really proud of or having kids. It’s crazy how time flies, but I’ve learned so much about myself over the years. There’s a pretty good quote in my 2002 cover story where I said, “Listening to other people’s ideas about who you are can eat you up. Do they like me? Do they hate me? You could think about it all day long.” That’s something people say in their 20s. Once you’re in your 40s you don’t care what people think.
I came up in a time when Hollywood was about one body type, one beauty standard [blond hair and blue eyes]. Still, I was confident that the substance of what I had to say was more important than any external validation. I was always just being myself: a young mom, a comedian, a goofball. I’ve always been a goofball. I feel more comfortable making funny faces than serious faces, and even at 26, I wasn’t appearing on the covers of men’s magazines. That kind of hypersexualization made me feel awkward, and if I felt that way, I didn’t want to make other women feel that way.
Studios are bidding on Pyros, an intriguing package that has Reese Witherspoon attached to star in a sci-fi film she will produce with Simon Kinberg. The film will be written by Thomas Pierce, who is adapting his short story Tardy Man, which published last year in The New Yorker. Pierce has done well with this strategy: his short story Chairman Spaceman was bought and is being developed by Fox Searchlight. Kinberg is producing that one as well.
Hello Sunshine’s Witherspoon and Lauren Neustadter are producing with Genre Films’ Audrey Chon.
Tardy Man deals with a group of augmented people who are fitted with indestructible fire suits that are fused to their spines. They work for a corporation that recovers objects for wealthy people when their houses are burning. It is strictly forbidden for them to veer from their salvage missions, even when other humans are in danger. The protagonist decides to make an exception to this rule and that is the jumping off point.
I’m told that numerous offers are on the table. This is one of the high profile star packages currently drawing bids; the other is Don’t Worry Darling, a genre spec script that Booksmart‘s Olivia Wilde will direct and star in.
CAA is in the middle of both auctions, which are expected to sort themselves by next week. Witherspoon is managed by LBI and the writer by Kaplan/Perrone.
July 14, 2019 • Category: Hello Sunshine, News & Gossip, Producing •
Comments Off on WarnerMedia Streaming Service Gets A Name, Will Include Greg Berlanti & Reese Witherspoon Films
WarnerMedia Streaming Service Gets A Name, Will Include ‘Friends’ Library, Greg Berlanti & Reese Witherspoon Films, CW Series
WarnerMedia has officially anointed its soon-to-launch streaming service HBO Max, which will carry full-season libraries of Friends as well as The Fresh Prince of Bel Air and Pretty Little Liars.
Under new arrangements with Warner Bros Television and others, all 236 episodes of Friends — a longtime mainstay of Netflix — will come to the new service, as will an estimated rollout of 10,000 hours of programming at launch. WarnerMedia has said a beta version of HBO Max will be out by the end of 2019, with a full-bodied version in spring 2020. An ad-supported offering is also in the works, though subscription will be the first phase.
Pricing remains a key strategic question. Disney’s reveal in April of its Disney+ service at just $7 a month has set forth a challenge for many competitors. WarnerMedia is in a particular bind, with HBO’s relationships with pay-TV operators (who have partnered to develop the network over many decades) keeping the price of stand-alone service HBO Now at $15 a month. Most observers expect WarnerMedia to price HBO Max above the current level for HBO Now, though the company and its parent, AT&T, have not yet disclosed pricing details. It is also unclear how — or if — HBO Max will be differentiated from HBO Now, the stand-alone service that has racked up 8 million subscribers since its 2015 launch.
Disney, NBCUniversal and Apple are all preparing major new entrants in the streaming wars, a long-developing response to Netflix’s steady climb to more than 150 million global subscribers.
Greg Berlanti, who is locked into a rich Warner Bros deal, is also going to be supplying four new movies for the service, and Reese Witherspoon’s Hello Sunshine will produce at least two films.
July 12, 2019 • Category: Hello Sunshine, News & Gossip •
Comments Off on Hello Sunshine Debuts Kids and Animation Unit Led by Claire Curley
Hello Sunshine Debuts Kids and Animation Unit Led by Claire Curley
Hello Sunshine, the media company founded by Reese Witherspoon, has launched a kids and animated division to be led by Nickelodeon vet Claire Curley.
The unit will create content for younger audiences aged 3-5 and 6-9, “shining a light on where girls are right now and helping them chart their path forward,” according to the company. In her new role, Curley will develop a slate of animated kids’ content, and will launch with productions aimed at the preschool and younger grade school set.
The company has also brought on Zoe Fairbourn as head of brand partnerships, expanding on her working relationship with the company as a consultant developing originals and integrated marketing programs. Curley and Fairbourn are based in Los Angeles and will report to Hello Sunshine CEO Sarah Harden.
“As we continue to grow as a company, we are excited to expand our content offerings to reach the leaders of our future and empower young girls through entertainment,” said Harden in a statement. “Claire and Zoe are extraordinary leaders whose decades of accomplishments represent the excellence we strive for at Hello Sunshine. With Claire leading this new venture and Zoe joining us full-time to head Brand Partnerships, we look forward to the breadth of experience they bring as we continue to redefine industry standards through inclusive and representative storytelling.”
Curley most recently served as senior vice president of franchise animation at Nickelodeon, after beginning her decade-plus tenure there as a director in digital content development and production. There, she built a digital production unit that developed and produced content in interactive, live action and animation formats. Series that originated through the unit include “Adventures of Kid Danger” and “Welcome to Wayne.” Prior to that, Curley was a producer and Sesame Workshop, where her contributions to “The Electric Company” led to a Daytime Emmy Award for Outstanding Children’s Series in 2012.
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