Reese Witherspoon’s Hello Sunshine Sets Two Novels For Screen
Reese Witherspoon’s new company Hello Sunshine has set up to produce the Gail Honeyman novel Eleanor Oliphant Is Completely Fine and the Catherine Steadman novel Something in the Water.
The latter will be adapted by Julia Cox and was acquired by Fox 2000 for Witherspoon and Lauren Neustadter to produce with Temple Hill’s Marty Bowen, Wyck Godfrey and Jaclyn Huntling. Witherspoon will develop that one solely to produce, but Eleanor Oliphant will be a potential star vehicle for her.
Witherspoon, who produced the book-generated films Gone Girl and Wild and the HBO series Big Little Lies before splitting with Pacific Standard partner Bruna Papandrea, formed Hello Sunshine and set Neustader to be Head of Film and TV, with the goal of continuing to find female-centric literary properties for film and TV projects.
Both of these books are by female first-time authors. Eleanor Oliphant is the story of an out-of-the-ordinary heroine who goes from living a lonely life to realizing the only way to survive is to open your heart. The novel was just published by the Penguin Random House imprint Pamela Dorman Books. Something in the Water is about a woman whose life is on the upswing. She’s about to get married and is establishing a successful career as a documentary filmmaker. Then she’s thrown a curveball that challenges her ethics and priorities and her life begins to slip from her grasp. APA sold the book and reps the scribe and author. The novel will be published by Bantam in the U.S. and Simon & Schuster in the UK after making a splash at the London Book Fair.
Eleanor Oliphant author Honeyman is repped by The Artists Partnership, Emily Hayward Whitlock and Madeleine Milburn Ltd.
Net-a-Porter teams with Reese Witherspoon on Draper James capsule collection
Net-a-Porter prides itself on its exclusive capsule collections, investing in them in an increasingly frequent and broad way. To that end, coming May 10 is a summer capsule collection from Draper James, the Southern-inspired lifestyle brand launched by Reese Witherspoon in 2015.
“The inspiration was a summer garden party, with all the dresses you end up buying in the summer to go to weddings and in the South to go to steeple chases,” said Witherspoon, noting she was originally connected to Net-a-Porter through Sarah Rutson, the company’s former vice president of global buying. “They were looking to connect their customer to price points that were really great for us, as well.”
Draper James’ wholesome, preppy-ish aesthetic and friendly prices are a bit of a departure for Net-a-porter, which pushes advanced fashion and luxury brands hard. Prices of the capsule start at $150 and the collection consists of dresses, tops, A-line skirts, jumpsuits with a focus on pastels and magnolia and gingham prints, as well as straw bags.
“Draper James has perfected easy summer dressing with a charmingly feminine aesthetic. It offers something new and different to the Net-a-porter customer, which we are always looking for, as well as opening us up to a new audience,” said Lisa Aiken, Net-a-Porter’s retail fashion director, noting the collection is intended as high summer and vacation dressing. “Reese was very involved in the development of this collection, so much in fact that she would Skype in for our design meetings. We took what Draper James was doing with their existing collection and gave it that Net-a-Porter spin by dropping hem lengths, exaggerating sleeves, offering off the shoulder necklines and simplifying the print. In essence it’s what Draper James was doing and adding a little bit of a fashion twist.”
If the capsule is opening Net-a-Porter up to a new audience, it’s doing the same for Draper James. The collection is the brand’s first foray into wholesale. Witherspoon noted that the label will be launching with Nordstrom next and also has two of its own new stores coming, in Atlanta and Kentucky, bringing its retail network to four stores.
Reese is currently taking part in a live panel at the Milken Institute’s Global Conference. She’ll be talking about starting and developing her businesses in the panel entitled ‘That’s Entertainment: Looking for the Next Stage’. She talks about how she had the choice of whether to take Big Little Lies to Netflix or HBO, how she identified a market for more female-driven work, and how seeing how her kids interact with media has influenced her business choices, e.g. using YouTube and social media. Watch the live stream below, and we’ll have more coverage for you after the event too…
The 20th Annual
Milken Institute Global Conference
“Building Meaningful Lives”
April 30 – May 3, 2017 | Los Angeles
The Global Conference convenes the best minds in the world to tackle the most stubborn challenges. That commitment to the power of ideas has set this event apart for two decades. It is a unique setting in which the individuals with the capital, power and influence to move the world forward meet face-to-face with those whose expertise and creativity are reinventing industry, philanthropy and media.
Expand your network of accomplished and influential people — 3,500 attendees from 50 countries, all senior decision-makers in their fields.
Julia Boorstin, Senior Media and Entertainment Correspondent, CNBC
Leslie Moonves, Chairman and CEO, CBS Corporation
Peter Rice, Chairman and CEO, Fox Networks Group
Ted Sarandos, Chief Content Officer, Netflix
Reese Witherspoon, Actress; Producer
Jeremy Zimmer, CEO and Founding Partner, United Talent Agency (UTA)
Is bigger better in the entertainment industry? Scale matters in the quest to profit in expanding overseas markets and compete with the giants created by mergers among media and entertainment providers. This session will bring together senior industry leaders to address a range of questions on the effects of megamergers and intensifying global competition.
How will new competition in new markets, both domestic and abroad, realign the landscape and affect the prominence of Hollywood?
Will overseas markets influence the nature of the content produced domestically? Could it lead to greater diversity of stories and narratives?
How stable are the new revenue streams generated by new technologies? How do companies and individuals invest in new products and creative people in this environment?
As posted about previously on our Twitter, Reese is featured in the new issue of People magazine, which is their ‘Most Beautiful’ edition. Julia Roberts is on the cover, and Reese is featured inside as one of their Fabulous Faces of 2017. It has a tiny snippet of Reese talking about her mother and grandmother being her role models, alongside a picture from her 2015 Women’s Health magazine photoshoot. We have the scan in our Gallery for you:
As expected, Reese took to the stage at the first Vanity Fair Founders Fair conference today, during which she spoke about being a woman in business and her recent producing work. The Founders Fair gathers female entrepreneurs from different industries to talk about why they started their companies, how they built their businesses, and the lessons they’ve learned. Reese was joined by one of her investors, Forerunner Ventures founder Kirsten Green, and the twosome were interviewed by Vanity Fair West Coast editor Krista Smith. Reese’s cute little white dress is (presumably) from Draper James. We have the first photos in our Gallery, and scroll on down this post for a short article from the event. We’ll likely have more from this event for you in the coming days …
Reese took time out of her holiday in the Caribbean to chat to fans on Facebook live yesterday. She and co-star Laura Dern also did an interview on Instagram. They revealed that they are considering a second season of Big Little Lies…
Luckiest Girl Alive
Tiny Beautiful Things
Barbie origins project
In A Dark, Dark Wood
Untitled Rob Long Project
The Thing About Jellyfish
All Is Not Forgotten
Three Little Words
Pale Blue Dot
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