The Hollywood Reporter are continuing their annual awards season ‘Roundtable’ series in the run-up to the Emmys, and they released their Drama Actress Roundtable this week. Unsurprisingly they include Reese, who has not one but three(!) TV shows in the running for Emmy nominations – Big Little Lies, The Morning Show and Little Fires Everywhere. Also included in the Roundtable are Jennifer Aniston (The Morning Show), Zendaya (Euphoria), Rose Byrne (Mrs America), Janelle Monae (Homecoming) and Helene Bonham-Carter (The Crown). The actresses sat down for a video call roundtable to discuss their careers, the industry and the Black Lives Matter protests and social unrest. The actresses also did individual photoshoots for the magazine, which were conducted remotely by Facetime.
Watch the roundtable interview below, and find the photoshoot and scans in our Gallery. Pick up a copy of the magazine today!
“I’m Not Settling for Lip Service”: Janelle Monae, Jennifer Aniston, Zendaya, Reese Witherspoon, Helena Bonham Carter, Rose Byrne and the Drama Actress Roundtable
Six top actresses get real about everything from dismantling systemic racism (“It can’t just be, ‘We’re going to march with you and do a hashtag'”) to fighting typecasting (“For the life of me, I could not escape ‘Rachel from “Friends”‘”).
The Hollywood Reporter’s Drama Actress Roundtable was set to take place two weeks before it actually did. But as the country hit a boil, erupting in protest following the killing of George Floyd, its early June timing no longer felt right.
The actresses — The Morning Show’s Jennifer Aniston and Reese Witherspoon (also of Little Fires Everywhere and Big Little Lies), Homecoming’s Janelle Monáe, Euphoria’s Zendaya, Mrs. America’s Rose Byrne and The Crown’s Helena Bonham Carter — collectively decided they needed the space and time to properly process what was happening around them. And with it, a chance to listen and learn.
Variety, PBS SoCal Takes ‘Actors on Actors’ Virtual with Jennifer Aniston, Zendaya, Chris Evans
Variety and PBS SoCal have announced the actor lineup and schedule for Season 12 of “Variety Studio: Actors on Actors.”
The new season of the Emmy-winning series was filmed entirely from actors’ homes and includes one-on-one conversations between stars from potential contending shows in this year’s Emmy race. The first two episodes will premiere on PBS SoCal on Friday, July 17, at 8 p.m. and 8:30 p.m. with episodes three and four premiering on Friday, July 24, at 8 p.m. and 8:30 pm. All episodes will stream on pbssocal.org and on the free PBS Video app following their premieres.
The conversations include Jennifer Aniston (“The Morning Show”) with Lisa Kudrow (“Space Force,” “Feel Good”); Henry Cavill (“The Witcher”) with Patrick Stewart (“Star Trek: Picard”); Kieran Culkin (“Succession”) with Dan Levy (“Schitt’s Creek”); Russell Crowe (“The Loudest Voice in the Room”) with Nicole Kidman (“Big Little Lies”); Claire Danes (“Homeland”) with Damian Lewis (“Billions”); Daveed Diggs (“Snowpiercer”) with Anthony Mackie (“Black Mirror,” “Altered Carbon”); Chris Evans (“Defending Jacob”) with Paul Rudd (“Living with Yourself”); Anne Hathaway (“Modern Love”) with Hugh Jackman (“Bad Education”); Nicholas Hoult (“The Great”) with Paul Mescal (“Normal People”); Regina King (“Watchmen”) with Reese Witherspoon (“Little Fires Everywhere”, “Big Little Lies”, “The Morning Show”); Sandra Oh (“Killing Eve”) with Kerry Washington (“Little Fires Everywhere”); Tessa Thompson (“Westworld”) with Ramy Youssef (“Ramy”); and Zendaya (“Euphoria”) with Mj Rodriguez (“Pose”).
“Variety is excited to debut the 2020 ‘Actors on Actors’ Emmy Edition directly from the safety of the homes of this season’s top Emmy-award contending talent,” said Variety group publisher and chief revenue officer, Michelle Sobrino-Stearns. “Our partnership with PBS SoCal on Variety’s three-time Emmy winning series takes our viewers inside the biggest television shows of the past year through these candid one-on-one conversations.”
Variety’s Actors on Actors issue will hit newsstands on June 23 with clips appearing on Variety.com starting June 22nd. “Variety Studio: Actors on Actors” will air on PBS stations across the nation starting in July, and on the WORLD Channel (check local listings).
Reese and Kerry Washington can be seen on the cover of the latest issue of Emmy magazine, promoting Little Fires Everywhere. The magazine has a gorgeous new photoshoot, and in the interview Reese, Kerry, their director and producing partners, and author Celeste Ng talk about how the book was developed into a show and how they dealt with some of the cultural issues within it. The magazine will be available on US news-stands on March 24th.
For Reese Witherspoon, Kerry Washington and their production partners, Little Fires Everywhere was — first and last — a passion project, sparking ardent confessions up and down the call sheet.
Kerry Washington was getting in touch with her inner pyromaniac last fall, and it was… fun.
Washington was on the set of Little Fires Everywhere, the new Hulu limited series in which she stars with Reese Witherspoon, and her character, an artist named Mia Warren, wielding dual lighters, was creating new art from the ruin of past art — setting fire to a big, ripped-up photo of Witherspoon’s character, a tightly wound mom named Elena Richardson.
“It was a cool moment,” Washington says. “Everybody wanted to watch the shooting of this scene. But we could only have a few people there, for safety reasons, and most of those people were firemen, who were giving us lectures about the fastest way off the lot.”
In a nice moment of light relief, Reese is gracing the cover of the April issue of Vanity Fair magazine! The article focuses on Reese’s love of books and her success in turning books into well-received movies and TV series with strong female leads – including Little Fires Everywhere. It’s a long but good read, and always really nice to see Reese being celebrated and acknowledged in this way. The magazine also has a gorgeous new photoshoot! Read the interview below or at Vanity Fair, and find the photoshoot in our Gallery. We’ll have scans for you when the magazine is released on news-stands.
In recent years, Reese Witherspoon has turned her literary obsession into an empire. Her latest brilliant book adaptation: Little Fires Everywhere, which debuts March 18 on Hulu.
I first met Reese Witherspoon three years ago at Parnassus Books, the store I co-own in Nashville. She’d come to interview me for Hello Sunshine, her media company, and when the interview was finished, our events manager asked Witherspoon if she’d be willing to have her picture taken with one of our shop dogs, Mary Todd Lincoln, a dappled, silky dachshund who’d been photographed with any number of celebrities in the past. It’s Nashville, after all; it’s the kind of thing we do here. Witherspoon took the little dog and tucked her into an open space in the bookshelf behind her, then proceeded to run the gamut of human emotion: joy, surprise, eagerness, love, suffering, hope—spinning out a master class of acting in less than a minute. The amazing part was not how good Witherspoon was at this—she’s a very good actor—the amazing part was how she managed to shine the enormous light of her talent onto a nine-pound dog. In frame after frame, the viewer’s eye skips the movie star and goes straight to the dachshund, which first appears coy, then knowing, then resplendent. If Oscars were given to pups, everyone would have agreed that this was Mary Todd Lincoln’s year.
To promote the November premiere of The Morning Show, Reese can be seen on the cover of the new issue of Harper’s Bazaar magazine! The magazine features a brand new photoshoot themed around ‘facing your fears’, and Natalie Portman interviews Reese about The Morning Show and some of her other upcoming producing work. In the behind the scenes video, Reese talks about her favourite books, including Wild. Find all the content within this post!
From boldly addressing the nuances of #MeToo on her new Apple TV+ drama, The Morning Show, to canoodling with a five-foot python for BAZAAR, the 43-year-old actress and producer takes risks without even wobbling in her stilettos. Friend Natalie Portman talked to the star about how she makes it all look so easy.
NATALIE PORTMAN: Hi! I’m so happy to talk to you for Harper’s BAZAAR’s Daring issue. Was it scary to be shot with a spider on your face?
REESE WITHERSPOON: The spider didn’t scare me, but there was a snake at the photo shoot that did. This is going to sound weird, but I like insects and spiders. I was kind of a tomboy growing up. It grosses everybody out, but I like to pick up bugs.
NP: What, if anything, are you actually afraid of?
RW: I get scared of being on really tall buildings and looking down.
NP: And you did that too for your Bazaar shoot! I’m impressed. Speaking of impressed, I watched the first three episodes of The Morning Show last night. It’s wonderful!
Reese and Jennifer Aniston are featured on the cover of the October issue of Entertainment Weekly, to promote their upcoming series The Morning Show! The two are photographed in character for the issue, and the interview reveals the real-life inspiration behind the series and tells us more about the characters. Read the interview below or on Entertainment Weekly, and find the cover and photoshoot in high quality in our Gallery. We’ll have scans for you when the issue is available.
Stream Queens: Jennifer Aniston and Reese Witherspoon on their TV reunion and how The Morning Show changed after #MeToo
Reese Witherspoon isn’t about to cause a scene. But she is freaking out a little bit. “Diane Sawyer came to visit and oh my God, it was amazing!” Sitting in a Los Angeles restaurant on a balmy August evening, the Academy Award winner throws her hands over her face to muffle her excitement. (There will be no Elle Woods-esque squeal here.) She’s recalling the day that the legendary broadcast journalist stopped by the set of her upcoming series with Jennifer Aniston, The Morning Show (Nov. 1). Her face still in her hands, Witherspoon continues in disbelief: “She sat at the monitor and watched me and Jen read the news!” The pair have come a long way since trading barbs at Central Perk.
The Morning Show — which marks Aniston’s major return to TV after Friends ended in 2004, and the pair’s first project together since Witherspoon guest-starred on the NBC comedy as Rachel’s spoiled little sister Jill in 2000 — takes viewers inside the world of daybreak news. “There’s something sort of bulletproof about morning shows,” Witherspoon says. “They’re a stalwart part of American culture.” After all, every day millions of Americans wake up and turn on the Today show, or any number of other programs, and are greeted by familiar faces they trust to deliver the news with just the right amount of personality. At least that’s the expectation. As you brew your morning coffee, they update you on the latest from the White House. As you pick out your clothes for the day, they let you know how the weather is looking. And as you prepare to head out the door, they amuse you with fun anecdotes about the internet’s buzziest viral video. “These shows are some of the last programming in the country that still tries to appeal in Los Angeles and New York and Des Moines and Mississippi,” says Morning Show executive producer Michael Ellenberg. “You have to introduce an idea of what America is that works for blue states and red states.” It was Ellenberg who brought the idea for The Morning Show to Witherspoon, whom he worked with on Big Little Lies, and Aniston in late 2016. (“I said to him, ‘I’m not completely closed down to television because it’s been pretty good,’” Aniston recalls.)
He can trace the idea back to 1989, when he saw Jane Pauley get replaced on Today. (It’s widely believed to be because she was “too old.” She was 39 at the time.) Then in 2012, Today’s veteran newsreader Ann Curry was reportedly driven off the program after less than a year as a cohost, a subject explored in journalist Brian Stelter’s 2013 book Top of the Morning, which Ellenberg quickly optioned. (Stelter is a consulting producer on the show, which uses his book mostly for background research.) “These are some of the most powerful women in America, and we watched them get screwed publicly, basically,” Ellenberg says. Witherspoon adds: “I was astounded by how honest a lot of female anchors were with myself and Jen. I think most people would find it shocking that women in that position, of what we perceive as power, are looked at as expendable.”
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