The 5 (original) ladies of Big Little Lies – Reese, Nicole Kidman, Laura Dern, Zoe Kravitz and Shailene Woodley – are gracing their own covers of the US edition of In Style magazine this month! Each lady has their own cover, and inside the magazine has a new interview and photoshoot with each of them. Reese talks about ambition, female leadership, and her friendships with her Big Little Lies co-stars, and the accompanying photoshoot is a throw-back to the 60’s!
The magazine hits news-stands on May 17th (2 weeks away!), but you can read the interviews below and find the photos in our Gallery:
The 5 Stars of Big Little Lies Have a Lot to Say — About Each Other
Guess which actress is the most “rigorous,” who’s a “ninja,” and who reliably keeps “old-lady candies” in her purse.
Big Little Lies is a Very Big Deal. It is an epic, insanely entertaining, tremendously acted hit. It features an ensemble of women, from longtime movie stars to burning younger talents who are each Big Deals on their own (oh, and coming up in Season 2, Meryl Streep). But it represents more than that. It is, frankly, a triumph for the ladies. BLL is great work done by great women, with respect and craft, the conscious sharing of opportunity, and, most significantly, very real friendships.
The lives of the cast — Nicole Kidman, Reese Witherspoon, Laura Dern, Shailene Woodley, and Zoë Kravitz — have overlapped in myriad ways. Nicole and Reese have a production partnership (Big Little Lies is their brainchild). Reese starred with Laura in Wild. Laura starred with Shailene in The Fault in Our Stars. Shailene starred with Zoë in Divergent. Nicole has known Zoë since she dated her father, Lenny Kravitz, 16 years ago. And so it goes. These women’s relationships run much deeper than “ensemble cast”; rather, they have influenced and enriched each other’s lives.
Entertainment Weekly have given us the gift we always knew we needed – a Cruel Intentions reunion! The cast and crew sat down with the magazine to revisit the film for it’s 20th anniversary, and it makes a fantastic read!! Find the article text below, and we have scans in our Gallery:
Cruel Intentions cast spills all the details on making the seductive teen drama
Welcome back to Manchester Prep. In 1999, audiences gaped (and gasped) as Hollywood’s teen royalty engaged in sexual debauchery and 1-percenter power games in Roger Kumble’s erotic, darkly comedic modern classic, which returns to theaters Friday [22nd March] in honor of its 20th anniversary.
Here, in an EW exclusive, the filmmakers and cast members revisit the original tale of gossip girls and pretty little liars.
After watching 1996’s coming-of-age black comedy Welcome to the Dollhouse, playwright Roger Kumble felt inspired to pen a dark story centered on a young cast. So he took the soulless aristocrats of the 18th-century French novel Les Liaisons Dangereuses and reimagined them as depraved upper-class Manhattan teens.
ROGER KUMBLE (writer-director): It’s just a great story. It’s got drama and comedy and tragedy, and you can’t do that so often these days. Movies have to fit in a box. You don’t know where to put Cruel Intentions in the aisle, you know?
Reese graces the cover of the new February issue of US Vogue! The magazine features a story on her as the “moral compass of Hollywood” (which is a great title for her!), and features an extensive new interview and a new photoshoot – including a photo with Betty and Ava. It’s a fantastic article exploring how Reese’s career has developed, and focuses mostly on her recent move into production and business; there are also some great quotes from Cheryl Strayed, Nicole Kidman and Meryl Streep. I also liked reading about where her Oscar is, and that she has hardbound copies of scripts from her movies!
Read the full article below, and find high quality photos from the cover and the shoot in our Gallery. We’ll have scans for you soon. Make sure you pick up a copy when you can!
Reese Witherspoon: Activist, Advocate, Hollywood’s Moral Compass
The first time Reese Witherspoon found herself suspended from school was in third grade, when she was caught running a custom-barrette business from her desk. (She painted store-bought barrettes and sold them at a profit; when her paint pens leaked onto her desk, she was apprehended.) Another time was during her junior year, at a private girls’ high school in Nashville, when she complained to her English teacher that the work they were doing wasn’t challenging enough. Witherspoon was in many ways a model student—good grades, popular, a soccer player and cheerleader—but she also had a reputation for telling teachers what they were doing was wrong.
“I always tended to be outspoken with my opinions,” she says. “Whether they were appropriate or not.”
More than two decades later, Witherspoon is still fighting the status quo. Insofar as Hollywood is an extreme version of high school, a fishbowl of fragile egos, insecurity, and often-misdirected sexual energy, she has taken it upon herself to be a champion of the overlooked and the underestimated. She may still bear the imprint of the perky-blonde roles that kept her in American-sweetheart mode for the better part of two decades, but something’s changed beneath the surface. Witherspoon has become a formidable businesswoman, launching a company that has a hand in just about every imaginable sector of contemporary media, and she’s become a formidable activist as well, fighting for greater representation in Hollywood of people of color, LGBTQ people, people with disabilities, and—most of all—women.
“The idea is to put women at the center of the story,” Witherspoon says, sitting barefoot and in jeans in the kitchen of her sunny, sprawling Los Angeles home as her three dogs—a German shepherd named Nash (short for Nashville), a French bulldog named Pepper, and a lab named Hank—amble and snort among the rooms. “I was sick of making movies where I was the only female lead on the set. I was sick of seeing scripts where there was one female role, badly written, and yet every actress in town wanted the part because there was nothing else.”
There is perhaps no greater example in the history of television of putting women at the center than Big Little Lies, the HBO sensation that picked up eight Emmys in 2017. Witherspoon executive-produced the series with Nicole Kidman, with whom she also stars alongside Laura Dern, Zoë Kravitz, and Shailene Woodley. In the second season, which airs in late spring, Meryl Streep will bring the show’s number of female leads to six.
The December/January edition of Fast Company magazine has a snippet on Reese – it’s a short but good read. Find a scan of it in our Gallery.
A day in the life of Reese Witherspoon How Hello Sunshine founder Reese Witherspoon capitalizes on her strengths to get things done.
I have a 6-year-old who likes to have milk at 6 o’clock every morning, so from 6 a.m. to 7 a.m., he drinks milk, and my husband [CAA agent Jim Toth] and I drink coffee. We talk and catch up on the news—Jim likes to hear it, I like to read it. After that, I work out for an hour, then go to work.
Assuming I’m not on a set somewhere acting, or traveling for, say, a shoot for [her clothing company] Draper James or Elizabeth Arden [she’s a brand collaborator], I’ll go to the Hello Sunshine office or a meeting related to something we’re developing. I quit driving a year ago. My husband said, “Babe, you’re a terrible driver. Get someone to do that for you.” And it’s great because that’s the time I now spend catching up on phone calls or texts. I’ve deliberately stripped away a lot of the layers of people who silo you off as an actor. That changed when I started producing: I’m putting my money into this; this is my sweat equity, all the equity I have. If you have a problem, call me directly.
It occurs to me at about 6 o’clock that I should probably do something fun at 7:30. I have two girlfriends who are good at that, and thank God, because [otherwise] I’d have no life. I can’t get groups of people on vacation either. That’s not my thing. I’m okay with that.
I get home around 5:30 or 6 for family dinner—that’s important to me. I hear what the kids [she also has a 19-year-old daughter, Ava, and a 15-year-old son, Deacon, from her first marriage, to Ryan Phillippe] are doing and how they’re feeling. I put my 6-year-old to bed at 8, and then I read for two hours. Or I’ll watch a TV show. I love The Crown, Queer Eye, and The Marvelous Mrs. Maisel. Oh, and the latest Chris Rock special on Netflix. He does this great bit about being brutally honest with your children. I feel like I’m constantly counteracting pressure from the parents who want to make the lives of their kids golden and magical at all moments! Guess what, kids? You’re going to be disappointed and uncomfortable once in a while. I remember Ava crying in bed in third grade—she was on JV basketball and she was the only kid on the team who didn’t score. I said, “Aves, maybe you’re bad at basketball.” She thought that was mean. I said, “Mean or true? ‘Cause, guess what? Your mom’s bad at basketball, too.”
A version of this article appeared in the December 2018/January 2019 issue of Fast Company magazine.
Reese appears on the cover of the June issue of Fast Company, a US business magazine. She is named one of their ‘100 Most Creative People in Business’ (#11 to be exact), and the magazine features an extensive new interview and a new photoshoot. See some behind the scenes videos on the magazine’s website, and find scans and photos from the shoot in our Gallery. It’s fantastic to see Reese recognised for her work like this!
How Reese Witherspoon is flipping the script on Hollywood The Hello Sunshine founder is channeling women’s voices into top-tier entertainment–and altering the dynamics of the entire industry along the way.
When Reese Witherspoon was 17, she had already appeared in four films. Still, she took an unlikely part-time job, as an intern in Disney’s post-production department. “I wanted to learn about editing, visual correction, and sound mixing,” she tells me 25 years later. Not long after, she worked as a production assistant on the 1995 Denzel Washington film Devil in a Blue Dress, helping with casting, among other things. Also: “I parked Denzel’s Porsche!”
That inquisitiveness, as well as nearly three decades in front of the camera, has made Witherspoon one of Hollywood’s most astute producers. She turned Gillian Flynn’s Gone Girl into a $369 million worldwide hit in 2014 (that earned Rosamund Pike an Oscar nomination) and did it again, that same year, transforming Cheryl Strayed’s best-selling memoir, Wild, into a breakout success ($52 million plus Oscar nods for Witherspoon and costar Laura Dern). Then came HBO’s Big Little Lies, executive produced with costar Nicole Kidman; the cultural bellwether about female relationships and domestic abuse, based on a novel by Liane Moriarty, swept nearly every category for which it was nominated at the 2017 Emmys. After years of hearing from studio executives that there was no market for female-driven films, Witherspoon had succeeded to a degree that proved a hunger was there.
Her instinct for what women want is now being tested on multiple platforms through her 18-month-old storytelling company, Hello Sunshine. She and her team currently have shows in development at Hulu, NBC, and Apple TV (which has partnered on three projects, one rumored to be the biggest deal in history for a straight-to-series show), as well as a film at TriStar/Sony Pictures. But Witherspoon is also laying the foundation for a direct-to-consumer brand, one that is already beginning to speak to women through a website, social media, YouTube and Facebook videos, audiobooks, podcasts, and newsletters—whichever platform she and Hello Sunshine execs think best honors the story being told.
Reese and her A Wrinkle In Time co-stars and director can be seen on the cover of the March 21st issue of UK Stylist magazine – with a fantastic new book-themed interview and photoshoot! Read the interview below, find the photoshoot in our Gallery, and pick up a copy if you can….
Oprah Winfrey and Reese Witherspoon on the importance of feminist storytelling
Ava DuVernay, Reese Witherspoon, Oprah Winfrey and Mindy Kaling on rewriting the story books and the power of the written word.
“I recently got hate-tweeted by the President,” begins Oprah Winfrey, looking like the most relaxed woman in the USA. “Since then, I’ve been asked, ‘What are you going to do about it?’ Well, did you see that meme a couple of years ago: ‘Ain’t nobody got time for that’? I don’t have time for that. I’m not going to focus one minute of my energy on that. I’m going to stay in the light.”
“Things I don’t have time for: that,” laughs Reese Witherspoon, sitting opposite her. Mindy Kaling interjects: “If you’ve been to the Promised Land, which is where Oprah lives, and you think about whether she is going to spend time thinking about a tweet or if she’s going to live her life, you would understand why she doesn’t have time for that.”
As storytellers go, Oprah Winfrey is one of the greats (and yes, her home in Montecito, California, is called The Promised Land). But she’s also a long-time supporter of other storytellers, having launched the influential Oprah’s Book Club back in 1996 via her incredibly successful TV show.
In fact, in this room there’s a power quadrant of women who are determined advocates of books – Reese Witherspoon via her monthly Instagram book club and adapting numerous titles for the big and small screen (Gone Girl by Gillian Flynn, Big Little Lies by Liane Moriarty, Are You Sleeping by Kathleen Barber) through her production company Hello Sunshine; Mindy Kaling, author of New York Times bestsellers Why Not Me? and Is Everyone Hanging Out Without Me?; and Ava DuVernay, the director of A Wrinkle In Time, in which all three star.
The trio play Mrs Which (Winfrey), Mrs Whatsit (Witherspoon) and Mrs Who (Kaling), three celestial beings and superheroes who guide a young woman of dual heritage across space to search for her father. It’s based on the book of the same name, which was finished in early 1960 but initially rejected by many publishers for being, as hypothesized by the author Madeleine L’Engle, a sci-fi novel with a female protagonist and blurring the lines between a children’s and adult’s book. Finally published in 1962, it went on to become a classic. As I write, the film is second in the US box-office charts to Black Panther – proof, should Hollywood need it, that films telling diverse and fantastical stories, that are told by all voices, are both necessary and profitable.
Reese remains a popular cover girl around the world – we have scans from Nouveau magazine in the Netherlands, and Malaysian Women’s Weekly for you today, along with some clippings from the People Awards Season Special magazine. I like the feature title of ‘Hollywood’s Guardian Angel’ in Women’s Weekly 😉
To celebrate our 16 years online, here we are spotlighting 16 of our favourite Reese things from the past 16 years. You will see a new one upon refreshing or changing the page.
"It took me years to be the woman my mother raised. It took me 4 years, 7 months and 3 days to do it, without her. After I lost myself in the wilderness of my grief, I found my own way out of the woods."
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