On Tuesday Hello Sunshine announced the launch of their channel on DIRECTV and DIRECTV NOW, including Reese’s first unscripted show:
AT&T and Reese Witherspoon’s Hello Sunshine Announce Launch of VOD Channel Spotlighting Female Creators and Their Stories
AT&T* and Hello Sunshine is debuting 2 new female-driven series on DIRECTV, DIRECTV NOW and U-Verse with the launch of the Hello Sunshine Video On Demand (VOD) channel. Hello Sunshine produces engaging and distinctive new narratives with women at the center.
The VOD channel will premiere 2 female-driven original series:
– Witherspoon’s first unscripted series, “Shine On with Reese,” premiering July 17.
– The Home Edit’s “Master the Mess,” premiering Sept. 4.
Viewers can also watch curated original content including short-form and library film titles. Go to att.com/hellosunshine for a sneak peek at what’s to come.
Hello Sunshine was launched in November 2016 by Reese Witherspoon in partnership with The Chernin Group and AT&T’s Otter Media portfolio.
“AT&T was one of our first partners in the quest to bring female-centric storytelling to the forefront and we are especially proud of how these original series push that mission ahead,” said Sarah Harden, CEO, Hello Sunshine. “We’re looking forward to working with AT&T to develop more opportunities for women to see themselves and their stories reflected in entertainment.”
Reese confirmed on her Twitter page today that Legally Blonde 3 is officially in the works! The film studio behind the film also confirmed that it will release the film in the US on February 14th 2020:
Reese Witherspoon, MGM Bringing The Gang Back For ‘Legally Blonde 3’
MGM is near a deal with Reese Witherspoon to reprise her role as the precocious, idealistic Elle Woods in Legally Blonde 3, and they’ve brought back most of the creative team from the first film.
The pic is coming together quickly. Kirsten “Kiwi” Smith and Karen McCullah, who adapted the Amanda Brown novel for the 2001 first film, are in final talks to write the script. Original producer Marc Platt and his Platt Productions president Adam Siegel are producing, and they will be joined this time by Witherspoon, through her Hello Sunshine banner.
The scribes will begin writing immediately and the next step is to secure a director. Robert Luketic helmed the original pic.
It has been 17 years since the original, and the sequel, Legally Blonde 2: Red, White & Blonde came out in 2003. But the film has been a staple for young-female audiences who’ve rediscovered it on DVD or through the hit stage musical that continues to tour. The original grossed $141 million worldwide on an $18 million budget, and the sequel brought in $124 million on a $45 million budget.
The deal gives MGM another branded title, alongside Creed and the James Bond films. Creed 2 is in production with Michael B. Jordan and Sylvester Stallone, Tessa Thompson, Dolph Lundgren and Florian Munteanu, and Bond 25 was just firmed with Daniel Craig returning and Danny Boyle directing the script by John Hodges, and Universal releasing overseas.
They are keeping the plot under wraps, but I’m told it will be much in the spirit of the first film, in which Woods’ idealism and pink-dominant wardrobe prevailed over the cynicism and snootiness all around her after the freshly dumped former sorority sister heads to law school. The sequel brought her to D.C. to join the staff of a congresswoman to pass a bill to ban animal testing. The intention here is to make this more about female empowerment, a message that hits at a fortuitous time in the culture. The feeling is to draw back in the audience that grew up with the original film and find a new global audience.
The project reunites Smith and McCullah, who as a team generated such comedies as Legally Blonde, 10 Things I Hate About You and House Bunny, and with credits on She’s the Man and The Ugly Truth. Witherspoon is repped by CAA and LBI Entertainment; Smith is with Verve, Kaplan/Perrone and attorney Karl Austen; McCullah is with Jaret Entertainment.
Today the Just Like Heaven section of our Gallery has been updated and completed, with additional stills, posters, trailer screencaptures, and set photos being added. This is undoubtedly one of my favourite Reese films – it’s heart-warming, charming and sweet, and never gets old despite numerous viewings Plus Reese & Mark Ruffalo are a perfect on-screen pairing! Enjoy the new additions….
Reese appears on the cover of the June issue of Fast Company, a US business magazine. She is named one of their ‘100 Most Creative People in Business’ (#11 to be exact), and the magazine features an extensive new interview and a new photoshoot. See some behind the scenes videos on the magazine’s website, and find scans and photos from the shoot in our Gallery. It’s fantastic to see Reese recognised for her work like this!
How Reese Witherspoon is flipping the script on Hollywood The Hello Sunshine founder is channeling women’s voices into top-tier entertainment–and altering the dynamics of the entire industry along the way.
When Reese Witherspoon was 17, she had already appeared in four films. Still, she took an unlikely part-time job, as an intern in Disney’s post-production department. “I wanted to learn about editing, visual correction, and sound mixing,” she tells me 25 years later. Not long after, she worked as a production assistant on the 1995 Denzel Washington film Devil in a Blue Dress, helping with casting, among other things. Also: “I parked Denzel’s Porsche!”
That inquisitiveness, as well as nearly three decades in front of the camera, has made Witherspoon one of Hollywood’s most astute producers. She turned Gillian Flynn’s Gone Girl into a $369 million worldwide hit in 2014 (that earned Rosamund Pike an Oscar nomination) and did it again, that same year, transforming Cheryl Strayed’s best-selling memoir, Wild, into a breakout success ($52 million plus Oscar nods for Witherspoon and costar Laura Dern). Then came HBO’s Big Little Lies, executive produced with costar Nicole Kidman; the cultural bellwether about female relationships and domestic abuse, based on a novel by Liane Moriarty, swept nearly every category for which it was nominated at the 2017 Emmys. After years of hearing from studio executives that there was no market for female-driven films, Witherspoon had succeeded to a degree that proved a hunger was there.
Her instinct for what women want is now being tested on multiple platforms through her 18-month-old storytelling company, Hello Sunshine. She and her team currently have shows in development at Hulu, NBC, and Apple TV (which has partnered on three projects, one rumored to be the biggest deal in history for a straight-to-series show), as well as a film at TriStar/Sony Pictures. But Witherspoon is also laying the foundation for a direct-to-consumer brand, one that is already beginning to speak to women through a website, social media, YouTube and Facebook videos, audiobooks, podcasts, and newsletters—whichever platform she and Hello Sunshine execs think best honors the story being told.
The Vanity Fair section of our Gallery has now been completed, with additional stills, posters, promotional photos, and trailer screencaptures being added today. I really enjoyed this film – Reese really bought Becky to life and carried the film against some prestigious British actors. Director Mira Nair said of casting American Reese in the classic English role: “I cast intuitively – in my films I cast as many non-actors as I cast actors. For me, it is intuition – I have to fall in love with an actor. It is a visceral response. Thackeray describes Becky Sharp as a minx. Also she’s described as someone who’s tiny, red-headed and thin. Reese had that completely minx-like irresistibility about her.” Enjoy the additional photos, and check back soon for more movie updates…
To celebrate our 16 years online, here we are spotlighting 16 of our favourite Reese things from the past 16 years. You will see a new one upon refreshing or changing the page.
"It took me years to be the woman my mother raised. It took me 4 years, 7 months and 3 days to do it, without her. After I lost myself in the wilderness of my grief, I found my own way out of the woods."
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