To celebrate their 25th anniversary, In Style have gathered several of their most famous cover stars from the past 25 years to each take a trip down memory lane and look back at their previous In Style covers. As well as talking us through their covers, the stars have been photographed for the current issue in a way that reflects their current selves. Reese tells us about her covers from 2002, 2004, 2009, 2015, 2016 & 2019, and for the latest photoshoot was snapped in May in New York City.
You can browse through all of the featurettes at InStyle.com. Read Reese’s article at InStyle.com or below, and find the photo in our Gallery. We’ll have scans for you asap.
Reese Witherspoon Doesn’t Want You to Worry
“In my early 20s I used to worry a lot. I was worried about being a good mom. I was worried about being a good actress. I worried about whether or not people respected me, or if I was kind enough. But in the end it all works out. Really!”
I was on my first InStyle cover in 2002, when I was 26. I had always been a fan of the magazine, so it was a big deal. Looking at that cover now, I can’t help but feel tender toward baby Reese and anyone else who’s going through that phase of life when they’re discovering who they are, especially in the public eye. I know what she’s about to go through and endure and triumph over, but she has no idea what’s to come, despite the fact that she does look all coy and knowing. I’m an actor: I might look like I know things sometimes, but I don’t.
Since then I’ve been on the cover of InStyle five more times. I guess you could say I’ve been swimming in the soup. It’s been a huge privilege and an honor. Sometimes I do cringe when I look back [at images of myself], but it’s only because I can’t believe I cut my hair or plucked my eyebrows a certain way. More than that, I usually just think about what a lovely way it is to remember milestones in my life, like finishing a project I was really proud of or having kids. It’s crazy how time flies, but I’ve learned so much about myself over the years. There’s a pretty good quote in my 2002 cover story where I said, “Listening to other people’s ideas about who you are can eat you up. Do they like me? Do they hate me? You could think about it all day long.” That’s something people say in their 20s. Once you’re in your 40s you don’t care what people think.
I came up in a time when Hollywood was about one body type, one beauty standard [blond hair and blue eyes]. Still, I was confident that the substance of what I had to say was more important than any external validation. I was always just being myself: a young mom, a comedian, a goofball. I’ve always been a goofball. I feel more comfortable making funny faces than serious faces, and even at 26, I wasn’t appearing on the covers of men’s magazines. That kind of hypersexualization made me feel awkward, and if I felt that way, I didn’t want to make other women feel that way.
Reese appeared on Jenna Bush Hager’s ‘Open Book’ segment of The Today Show, talking more about her love of books and favourite reads:
Reese Witherspoon Talks Excitement For Women in Media | Open Book With Jenna Bush Hager | Today
Oscar winner and ‘Big Little Lies’ actress, Reese Witherspoon, shares with TODAY’s Jenna Bush Hager how she fell in love with reading, her upcoming movie projects and the origin of Big Little Lies on this episode of “Open Book with Jenna Bush Hager
On Tuesday, Reese made an appearance on The Daily Show With Trevor Noah to promote Big Little Lies. She chatted about the show, working with Meryl Streep, her work in developing the roles for women in film & TV, her passion for developing books into TV/films, and Times Up. Reese looks so proud talking about her work! She wore a black Roland Mouret dress, with Mizuki earrings, and a Celine purse and sunglasses outside the studios. Unfortunately I can’t find a video clip online (if anyone has, let us know!), but we have screencaptures, stills and photos of her arriving at the studios.
Reese appeared on the Today with Hoda & Jenna segment of The Today Show yesterday, as part of her on-going promotion for Big Little Lies. She talked about the show and cast, but also chatted about why she likes being the age she is, her kids and her relationships with them, her priorities, Little Fires Everywhere, The Morning Show, Legally Blonde 3, and Sing 2 (she just did some recording for it last week she said). This is my favourite of her recent interviews – it’s great hearing her talk about all her upcoming shows, and how she’s matured as a person. Find screencaptures in the Gallery and watch the interview below:
Hulu Series ‘Little Fires Everywhere’ Sets Lynn Shelton to Direct
Lynn Shelton has signed on to direct and executive produce the upcoming Hulu limited series “Little Fires Everywhere” starring Reese Witherspoon, Kerry Washington, and Rosemarie DeWitt, Variety has learned exclusively.
Shelton will direct four of the series’ eight episodes, including the premiere and finale. Her previous credits include seven features, including “Humpday,” Laggies,” “Outside In,” and the upcoming “Sword of Trust” with Marc Maron, which bows in July. On the TV side, she has directed episodes of shows like “GLOW,” “Mad Men,” and Apple’s upcoming drama “The Morning Show,” which also stars Witherspoon. Shelton has also previously collaborated with DeWitt on the films “Your Sister’s Sister” and “Touchy Feely.”
She is repped by UTA and Anonymous Content.
Based on Celeste Ng’s 2017 bestseller of the same name, “Little Fires Everywhere” follows the intertwined fates of the picture-perfect Richardson family and an enigmatic mother and daughter who upend their lives. Liz Tigelaar created the series and serves as showrunner. The series is produced by Witherspoon’s Hello Sunshine, Washington’s Simpson Street, and ABC Signature Studios.
This is the third time Tigelaar and Shelton will be partnering for a series. Shelton directed for Hulu’s “Casual,” on which Tigelaar served as showrunner. The two also have “LA Woman,” inspired by the memoirs of Eve Babitz, in development at Hulu.
Reese appears on the cover of the June issue of Fast Company, a US business magazine. She is named one of their ‘100 Most Creative People in Business’ (#11 to be exact), and the magazine features an extensive new interview and a new photoshoot. See some behind the scenes videos on the magazine’s website, and find scans and photos from the shoot in our Gallery. It’s fantastic to see Reese recognised for her work like this!
How Reese Witherspoon is flipping the script on Hollywood The Hello Sunshine founder is channeling women’s voices into top-tier entertainment–and altering the dynamics of the entire industry along the way.
When Reese Witherspoon was 17, she had already appeared in four films. Still, she took an unlikely part-time job, as an intern in Disney’s post-production department. “I wanted to learn about editing, visual correction, and sound mixing,” she tells me 25 years later. Not long after, she worked as a production assistant on the 1995 Denzel Washington film Devil in a Blue Dress, helping with casting, among other things. Also: “I parked Denzel’s Porsche!”
That inquisitiveness, as well as nearly three decades in front of the camera, has made Witherspoon one of Hollywood’s most astute producers. She turned Gillian Flynn’s Gone Girl into a $369 million worldwide hit in 2014 (that earned Rosamund Pike an Oscar nomination) and did it again, that same year, transforming Cheryl Strayed’s best-selling memoir, Wild, into a breakout success ($52 million plus Oscar nods for Witherspoon and costar Laura Dern). Then came HBO’s Big Little Lies, executive produced with costar Nicole Kidman; the cultural bellwether about female relationships and domestic abuse, based on a novel by Liane Moriarty, swept nearly every category for which it was nominated at the 2017 Emmys. After years of hearing from studio executives that there was no market for female-driven films, Witherspoon had succeeded to a degree that proved a hunger was there.
Her instinct for what women want is now being tested on multiple platforms through her 18-month-old storytelling company, Hello Sunshine. She and her team currently have shows in development at Hulu, NBC, and Apple TV (which has partnered on three projects, one rumored to be the biggest deal in history for a straight-to-series show), as well as a film at TriStar/Sony Pictures. But Witherspoon is also laying the foundation for a direct-to-consumer brand, one that is already beginning to speak to women through a website, social media, YouTube and Facebook videos, audiobooks, podcasts, and newsletters—whichever platform she and Hello Sunshine execs think best honors the story being told.
Reese Witherspoon, Kerry Washington Starrer ‘Little Fires Everywhere’ Lands at Hulu
Hulu has landed Little Fires Everywhere.
Following a multiple-outlet bidding war, the streaming service has handed out a straight-to-series order for the adaptation of Celeste Ng’s book with Reese Witherspoon and Kerry Washington attached to star and exec produce. A premiere date for the eight-episode drama has not yet been determined.
Witherspoon’s company Hello Sunshine snatched up the rights to Little Fires Everywhere before its publication last year and brought it to Washington. Together, Witherspoon and Washington brought it to writer Liz Tigelaar (Casual, Life Unexpected) to adapt it and servd as showrunner. Hello Sunshine and Simpson Street then brought in ABC Signature Studios’ Tracy Underwood. The cable-focused arm of ABC Studios will exec produce the series alongside Hello Sunshine and Simpson Street. The package ignited a bidding war among those who heard the pitch. Sources note that several outlets attempted to take the package off the table, but Witherspoon and those involved insisted on letting everyone hear the pitch as they mull the right home for the project. (In a rare move, network execs went to the Hello Sunshine offices rather than producers hopping from network to network.) Little Fires Everywhere will be a co-production between ABC Signature and Hello Sunshine. It’s the first project on which the latter has served as the studio.
Little Fires Everywhere follows the intertwined fates of the picture-perfect Richardson family and an enigmatic mother and daughter who upend their lives. The story explores the weight of secrets, the nature of art and identity, the ferocious pull of motherhood – and the danger in believing that following the rules can avert disaster.
Tigelaar will pen the script, exec produce and serve as showrunner. Washington and her ABC Studios-based Simpson Street banner-topper Pilar Savone will exec produce. Witherspoon will also exec produce via her ABC Studios-based shingle alongside Hello Sunshine topper Lauren Neustadter, who optioned the book with Witherspoon for Hello Sunshine. Author Ng will serve as a producer. The book was a September pick of Witherspoon’s book club and an instant best-seller, appearing on many year-end best-of lists.
“Celeste wove a beautiful, riveting story that spoke to all of us, and when we heard the vision Reese, Kerry and Liz have for the series, we knew immediately that we had to bring it to Hulu,” said Hulu chief content officer Joel Stillerman. “We’re honored to bring this powerful story to the screen with Hello Sunshine, in their first studio project. This is exactly the type of compelling and culturally relevant content that embodies our Hulu Originals brand.”
Little Fires Everywhere is the latest TV venture for Witherspoon. The actress and prolific producer also has the upcoming second season of HBO’s Emmy-winning Big Little Lies due in 2019, and is set to star opposite Jennifer Aniston and exec produce an untitled morning show drama that landed at Apple with a two-season order. The Oscar winner and Emmy nominee’s Hello Sunshine is also exec producing Apple’s Kristen Wiig’s straight-to-series comedy and developing Octavia Spencer starrer Are You Sleeping for the tech giant. Witherspoon is repped by CAA, LBI Entertainment and Hansen Jacobson. Hello Sunshine is repped by CAA and Hansen Jacobson.
To celebrate our 16 years online, here we are spotlighting 16 of our favourite Reese things from the past 16 years. You will see a new one upon refreshing or changing the page.
"It took me years to be the woman my mother raised. It took me 4 years, 7 months and 3 days to do it, without her. After I lost myself in the wilderness of my grief, I found my own way out of the woods."
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