Reese Witherspoon Calls ‘Cruel Intentions’ Reunion ‘So Much Fun’
Reese Witherspoon joined “Extra” at this weekend’s Produced By Conference in Los Angeles, where she talked about how much fun she had reuniting with her “Cruel Intentions” co-stars Sarah Michelle Gellar and Selma Blair.
They were all at Rockwell Table & Stage’s “The Unauthorized Musical Parody of Cruel Intentions” in Los Angeles last week. Reese said, “Sarah, Selma and I, we knew all the lines.”
A photo posted by Reese Witherspoon (@reesewitherspoon) on
The trio documented their girls’ night on social media, with Sarah and Selma even reenacting their famous onscreen kiss in a pic that went viral. Reese revealed she didn’t realize what Sarah and Selma were doing. “I didn’t even know they were doing it. They’re cute, they’re such nice girls, and we had so much fun sort of reliving the old days.”
Reese has starred in countless movies since the 1999 release of “Cruel Intentions,” and recently took on the role of producer with such films as “Gone Girl” and “Wild.”
Up next for the Oscar winner is working with producing partner Bruna Papandrea on the live-action film “Tink,” based on the beloved Disney character, Tinkerbell.
“We’re excited,” Reese said about the film that she will also star in as the title character. “It’s our biggest family film we’ve thought up.”
May 8, 2015 • Category: "Big Little Lies", Pacific Standard •
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‘Big Little Lies’ Limited Series Starring Nicole Kidman & Reese Witherspoon Picked Up By HBO
Big Little Lies, starring Oscar winners Nicole Kidman and Reese Witherspoon, was the highest-profile limited series package to hit the marketplace since Nic Pizzolatto’s True Detective, which had Matthew McConaughey and Woody Harrelson attached. Now Big Little Lies, written by Emmy winner David E HBO logoKelley, followed True Detective to the same network destination, HBO, with the same straight-to-series commitment. The premium cable network has picked up the project, originally put together in November.
Big Little Lies is based on the book of the same name by Australian author Liane Moriarty. It is described as a subversive comedy which tells the tale of three mothers of kindergartners whose apparently perfect lives unravel to the point of murder.
Witherspoon and her Pacific Standard, along with Kidman and her Blossom Films production banner, optioned film and TV rights to Big Little Lies last year for Witherspoon and Kidman to star and produce with Pacific Standard partner Bruna Papandrea and Blossom partner Per Saari.
The HBO series is being executive produced by Witherspoon and Papandrea through Pacific Standard, Kidman and Saari through Blossom and Kelley through David E. Kelley Productions. Moriarty will have a producing role
Witherspoon, Kidman and Kelley are repped by CAA. Moriarty is repped by Jerry Kalajian at The Intellectual Property Group, Curtis Brown Australia, and Faye Bender in the U.S.
Reese Witherspoon and Bruna Papandrea’s Pacific Standard banner is developing a film adaptation of S.J. Watson’s thriller novel “Second Life.”
The duo teamed with Warner Bros. to produce action-comedy “Hot Pursuit,” which stars Witherspoon and Sofia Vergara and opens Friday.
“Second Life” centers on a woman who creates an online persona to find the truth behind her sister’s violent murder — and starts to lose herself in the lies she creates. Jesse Ehrman and Julia Spiro will oversee for the studio.
An adaptation of Watson’s mystery novel “Before I Go to Sleep” was released last year with Nicole Kidman, Mark Strong, Colin Firth and Anne-Marie Duff starring.
Withspoon and Papandea formed Pacific Standard in 2012 in order to fill the vacuum for movies with female protagonists. They produced “Wild,” “Gone Girl” and “Hot Pursuit” and are developing an adaptation of the novel “Big Little Lies,” “The Engagements,” “Pennyroyal’s Princess Boot Camp” and “The Outliers.”
News about “Second Life” was first reported by the Tracking Board.
April 13, 2015 • Category: Producing, Role Rumors •
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Lionsgate Buys ‘Luckiest Girl Alive’; Reese Witherspoon & Bruna Papandrea To Produce
Lionsgate has snapped up the rights to Jessica Knoll’s first novel Luckiest Girl Alive, which Reese Witherspoon and Bruna Papandrea will produce under their Pacific Standard Films banner. The Simon & Schuster tome will be published May 12.
Luckiest Girl Alive centers on Ani FaNelli, a 28-year-old New Yorker who appears to have it all: a sought-after position at a women’s magazine, a killer wardrobe and a dream wedding with her handsome fiancé on the horizon. But behind Ani’s veneer of perfection lies a dark trauma from her past, which resurfaces to unravel her meticulously crafted life.
Knoll has been a senior editor at Cosmopolitan and articles editor at Self. Simon & Schuster’s Sarah Knight, who acquired and edited Luckiest Girl Alive, also acquired Gillian Flynn’s global best-seller Gone Girl and edited her best-seller Dark Places while at Random House. Papandrea served as EP and Witherspoon produced Gone Girl, which was a huge fall hit for 20th Century Fox and became director David Fincher’s highest-grossing film with $167.8M at the domestic box office and $368M worldwide. Pacific Standard Films also was behind the feature adaptation of the best-selling memoir Wild, which earned $52.4M at the global B.O. to date and earned Witherspoon a Best Actress Oscar nomination for the role of fearless hiker Cheryl Strayed and a Best Supporting Actress Oscar nom for Laura Dern, who played Cheryl’s mother.
“This is one of those rare books that come along every so often that you simply cannot put down,” Lionsgate Motion Picture Group President Erik Feig said in a statement about Luckiest Girl Alive.
Luckiest Girl Alive is the kind of book that grabs you and doesn’t let go,” added Witherspoon. “The hero of the book is a wily, intelligent, complex narrator. This character and the thrilling narrative that she drives are exactly the kind of story our company, Pacific Standard Films, wants to produce.”
VP Production Jeyun Choi Munford and Creative Exec Nirokhi Raychaudhuri is overseeing the project on behalf of Lionsgate. The deal was negotiated by CAA on behalf of Knoll, the novel and the producers. Paradigm reps Knoll.
Last month, Fox 2000 and Pacific Standard won the book rights auction to Gayle Tzemach Lemmon’s book Ashley’s War: The Untold Story Of A Team of Women Soldiers On The Special Ops Battlefield. It follows the creation of a 2010 pilot program by the U.S. Army Special Operations Command that allowed elite female soldiers on the battlefield with Green Berets and Army Rangers in Afghanistan. The unit, CST-2, included 1st Lieutenant Ashley White, who would become the first CST member killed in action.
March 11, 2015 • Category: Producing, Role Rumors •
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Update: Fox 2000 has indeed officially closed its deal for the Gayle Tzemach Lemmon book Ashley’s War. The deal was made by UTA, on behalf of lit agent Elyse Cheney. Another opportunity for Reese Witherspoon to craft a film with a heroine that rarely crosses your desk if you sit back and wait for these roles to be dropped in your lap. The role of White would likely be played by a younger actress–she died at 24–but Witherspoon barely flinched when David Fincher didn’t see her for the lead in Gone Girl. They have plenty of time to figure this stuff out.
Original story: Fox 2000 and Pacific Standard’s Reese Witherspoon, Bruna Papandrea and Natalie Krinsky ended last night very close to winning a book rights auction to Ashley’s War: The Untold Story Of A Team of Women Soldiers On The Special Ops Battlefield, a Gayle Tzemach Lemmon book that Harper will publish late next month. It’s the story of the creation by the U.S. Army Special Operations Command of a pilot program that allowed elite women soldiers on the battlefield with Green Berets and Army Rangers in Afghanistan in 2010. The unit, CST-2, brought together a hand-picked group of women from the Army, and that included 1st Lieutenant Ashley White, who would become the first CST member killed in action.
In the wake of American Sniper‘s outsized grosses, this becomes the second female-driven war story in two weeks to make a splashy sale: Warner Bros last week bought the memoir by Pulitzer Prize-winning war photographer Lynsey Addario for Steven Spielberg to direct and Jennifer Lawrence to star, in heavy bidding. Ashley’s War didn’t quite reach that feverish level, but I’m told that Sony and Universal were also in the bidding here. Fox 2000 president Elizabeth Gabler guided this one and UTA brokered the deal. Gabler and her exec Marisa Paiva will oversee the project for the studio.
December 8, 2014 • Category: "Wild", Producing •
Comments Off on Witherspoon’s ‘Wild’ Opening Weekend Treks Into Solid Box-Office Territory
Witherspoon’s ‘Wild’ Opening Weekend Treks Into Solid Box-Office Territory
Wild, starring Reese Witherspoon in the film adaptation of Cheryl Strayed‘s memoir of a life-changing hike, blazed a trail into solid box office territory, opening in 21 theaters over the weekend with a $630K gross. The feature, which Witherspoon also produced under her Pacific Standard label, was easily the weekend’s biggest newcomer with a $30K per-theater average. Alan Turing biopic The Imitation Game, meanwhile, once again took the weekend’s highest PTA numbers as it added locations in its second week.
The Searchlight title opened in New York and L.A. Wednesday, expanding for the weekend to 21 theaters in 7 markets. Director Jean-Marc Vallée‘s previous film, Dallas Buyers Club, opened in November 2013 with a nearly $29K PTA, and went on to cume nearly $27.3M and three Oscars, including Best Actor for Matthew McConaughey. Searchlight said it plans to keep Wild hiking through theaters for a lengthy period to come.
“The reviews have been phenomenal and the response at the box-office this weekend was great as well,” Searchlight said in a release. “The film performed well in both Art/Specialty venues as well as in upscale mainstream complexes indicating to us that the film should be able to reach a very broad audience. We are very encouraged by this weekend’s results,” the company said Sunday reporting its numbers. Wild will open in 13 additional markets and expand in some cities where it’s currently playing, playing up to 100 theaters by Dec. 12, and as many as 900 theaters by Christmas Day.
Harper’s Bazaar UK start our year off with a bang with Reese on the cover of their January issue! She looks beautiful in a new photoshoot for the magazine, and talks to them about the production of Wild.
The magazine is available on newsstands tomorrow – pick up a copy!!
‘I would have fired myself a couple of times during rehearsals because I was so scared, oh my God. I got my shit together, but it took me a while.’ – Reese Witherspoon
Reese Witherspoon is Bazaar’s January Cover Star
Far from the cliché of the all-American blonde, Reese Witherspoon is a sophisticated, intelligent star who revels in making tough choices, in work and in life.
Reese Witherspoon is doing what she does best: playing up for the camera. In this case, that means dancing to hip-hop on the Bazaar photo-shoot, dressed in an A-line Michael Kors skirt that jiggles about her like a starched crinoline. Here she goes again, dipping, bopping and shimmying. Watching her from the sidelines, I have to say she’s fantastically entertaining, her face a rolling cartoon strip of perky expressions. Photo-shoots don’t come easily to all actresses but Reese is, as you might expect, handling herself like a pro.
In keeping with the shoot’s vague premise – a 1950s Beverly Hills housewife going about her day – Witherspoon cranes her neck to look past the assembled crew here in the kitchen towards the front porch. Suddenly, she’s the picture of wifely anticipation, her ears pricked up as if her imaginary husband were just now pulling into the driveway and about to barrel through the door with a cheery ‘Honey, I’m home.’
It’s impressive to see and gratifying to have one’s expectations borne out. Because isn’t this the Witherspoon we know and love? Bright, breezy and boundlessly energetic, the seasoned crowd-pleaser who has been at it since the age of 14, the Southern gal with a gift for comedy. Yes, it is, to an extent. But getting the full measure of this 38-year-old, we’d better not reduce her to that. There is a cautionary tale being told here about Hollywood and the media, and Witherspoon is the one telling it. It goes something like this: ‘Don’t put me in that box. Or any box, for that matter. People are complex, on-screen and off. Can’t we do justice to that?’ It’s a word that comes up time and again in discussions with and about her: complex.
Julianne Moore (Still Alice), Laura Dern (Wild), Patricia Arquette (Boyhood), Hilary Swank (The Homesman), Felicity Jones (The Theory of Everything), Reese Witherspoon (Wild) and Amy Adams (Big Eyes) discuss their critically acclaimed roles in 2014.
Luckiest Girl Alive
Tiny Beautiful Things
Barbie origins project
In A Dark, Dark Wood
Untitled Rob Long Project
The Thing About Jellyfish
All Is Not Forgotten
Three Little Words
Pale Blue Dot
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