Reese is currently taking part in a live panel at the Milken Institute’s Global Conference. She’ll be talking about starting and developing her businesses in the panel entitled ‘That’s Entertainment: Looking for the Next Stage’. She talks about how she had the choice of whether to take Big Little Lies to Netflix or HBO, how she identified a market for more female-driven work, and how seeing how her kids interact with media has influenced her business choices, e.g. using YouTube and social media. Watch the live stream below, and we’ll have more coverage for you after the event too…
The 20th Annual
Milken Institute Global Conference
“Building Meaningful Lives”
April 30 – May 3, 2017 | Los Angeles
The Global Conference convenes the best minds in the world to tackle the most stubborn challenges. That commitment to the power of ideas has set this event apart for two decades. It is a unique setting in which the individuals with the capital, power and influence to move the world forward meet face-to-face with those whose expertise and creativity are reinventing industry, philanthropy and media.
Expand your network of accomplished and influential people — 3,500 attendees from 50 countries, all senior decision-makers in their fields.
Julia Boorstin, Senior Media and Entertainment Correspondent, CNBC
Leslie Moonves, Chairman and CEO, CBS Corporation
Peter Rice, Chairman and CEO, Fox Networks Group
Ted Sarandos, Chief Content Officer, Netflix
Reese Witherspoon, Actress; Producer
Jeremy Zimmer, CEO and Founding Partner, United Talent Agency (UTA)
Is bigger better in the entertainment industry? Scale matters in the quest to profit in expanding overseas markets and compete with the giants created by mergers among media and entertainment providers. This session will bring together senior industry leaders to address a range of questions on the effects of megamergers and intensifying global competition.
How will new competition in new markets, both domestic and abroad, realign the landscape and affect the prominence of Hollywood?
Will overseas markets influence the nature of the content produced domestically? Could it lead to greater diversity of stories and narratives?
How stable are the new revenue streams generated by new technologies? How do companies and individuals invest in new products and creative people in this environment?
Reese attended Tiffany & Co.’s Blue Book Sustainability Panel in New York City earlier today, to discuss the fashion industry’s role in protecting the environment and promoting sustainability. Reese also spoke about the role of women in film, as well as the importance of celebrities using their status to promote positive causes. Reese looked smart in a little navy dress, and accessorised with Tiffany’s jewellery. Read more about the event further down this post, and find the first few photos in our Gallery. You can read more about the work Tiffany’s does on sustainability here.
TIFFANY & CO. HOSTS ‘IN CONVERSATION’ PANEL DISCUSSION ON SUSTAINABILITY
Reese Witherspoon, Michael J. Kowalski and Dudu Douglas-Hamilton joined panel to discuss ‘The Art–and Protection–of the Wild: Preserving Earth’s Treasures.’
Tiffany & Co. hosted an intimate breakfast and ‘In Conversation’ panel discussion at NeueHouse Penthouse focused on the theme of sustainability.
Panelists included Oscar® award-winning actress Reese Witherspoon, who wore Tiffany HardWear; Tiffany & Co. chairman & interim CEO Mike Kowalski; and Save the Elephants Activist Dudu Douglas-Hamilton. The discussion was moderated by Tiffany & Co. chief sustainability officer Anisa Kamadoli Costa.
Discussion topics ranged from the rising demand for corporate responsibility and the role of business and brands to the journey of Tiffany jewels and the protection and preservation of wildlife. Mike discussed Tiffany’s commitment to environmental issues, which began 20 years ago and led to the brand paving the way for sustainable practices in the luxury industry. Reese touched on the growing importance of women’s rights and diversity in film, as well as the role of celebrity and influencers in raising awareness for crucial causes. Dudu gave a personal recollection of her family’s role in pioneering elephant conservation across Africa, combatting criminal elephant poaching syndicates, and recent successes as China begins to shut down its ivory trade.
As expected, Reese took to the stage at the first Vanity Fair Founders Fair conference today, during which she spoke about being a woman in business and her recent producing work. The Founders Fair gathers female entrepreneurs from different industries to talk about why they started their companies, how they built their businesses, and the lessons they’ve learned. Reese was joined by one of her investors, Forerunner Ventures founder Kirsten Green, and the twosome were interviewed by Vanity Fair West Coast editor Krista Smith. Reese’s cute little white dress is (presumably) from Draper James. We have the first photos in our Gallery, and scroll on down this post for a short article from the event. We’ll likely have more from this event for you in the coming days …
Vogue.com interviewed Reese towards the end of last month, in the run-up to the finale of Big Little Lies; here is what they talked about:
Reese Witherspoon on Who She Initially Wanted to Play on Big Little Lies—and What She Thinks About Those Critics Who Dismiss the Show as Just Another Soap Opera
We only have a few days to go until the finale of HBO’s Big Little Lies airs—why, oh why are there only seven episodes?—but we can already anticipate the massive void we’ll be feeling once the show wraps up on Sunday. Thankfully, Reese Witherspoon is here to help us cope. As Madeline Martha Mackenzie, Witherspoon’s character has become a fan favorite for her type-A personality and wicked one liners (“I love my grudges; I tend to them like little pets,” she says in an early episode). We spoke on the phone with the star and executive producer of the hit TV show, and talked about who she initially thought she would play, whether or not Ed and Madeline have a good marriage, and what she thinks about those (mostly male) critics who dismiss the show as just another soap opera.
Some spoilers ahead for those who aren’t caught up.
What drew you to Liane Moriarty’s book? Why were you excited to bring it to the screen?
I thought the book was really well plotted. I loved all the characters, I thought they were really dynamic women and very truthful in their struggles and the way that they communicated with each other. I thought it was a unique opportunity to have five really talented, diverse women on screen together, which is something that doesn’t happen that often.
Did you always want to play Madeline, or did you ever consider playing any of the other roles?
I didn’t know who I was going to play. Nicole [Kidman] really wanted to play Celeste, but I don’t know, I thought for a minute I might have played Renata. But then I was in a meeting with David Kelley and Nicole and I said I didn’t know who I was going to play and they looked at me like I was crazy. They said, “You’re Madeline!” And I said, “I am? What do you mean?” And they were like, “You are very clearly Madeline.” And I thought, “Is this an insult? I don’t know.” But then I kind of started thinking how I would do this. I started talking to Nicole, she was very helpful when I was creating the character. We added a lot of stuff that wasn’t in the book.
I haven’t read the book, but I know that David E. Kelley rewrote a lot of Madeline for you. I know the affair with her play’s director, for example, wasn’t in the book. What was behind the decision to add that?
Well, we talked about it. I just felt like everybody sort of has a secret in the show. All five of us have a secret. We’re all hiding something from each other and I felt like Madeline needed something she was hiding as well; it added a new conflict for her to resolve. It was just something interesting to play instead of just being a busy body.
On that note, do you think Madeline and Ed have a good marriage?
I don’t think of it in terms of good and bad. I think they have an active marriage, they are working on their marriage. There are aspects that are really positive and there’s parts of it there are really difficult. I don’t know what “good” is, but there’s a lot of love there, for sure.
‘Big Little Lies’ Feels Crazy Truthful to Reese Witherspoon
Yes, even Reese Witherspoon has felt judged as a parent. The actress, producer, newly-named Elizabeth Arden brand ambassador and mom of Ava, 17; Deacon, 13; and Tennessee, 4, is fascinated by just how opaque and unreadable kids can be and how hard moms and dads try to seem absolutely perfect.
“Have you ever gotten a call that your kid bit someone at school? I have. You feel awful. You feel like there is something wrong. It’s interesting how we stigmatize people,” she tells Yahoo Style.
She explores the disparaging, cutting and very juicy side of motherhood (and fatherhood) in Big Little Lies, which has exploded as this season’s must-see show. The HBO miniseries delves into the inner lives of a multitude of multidimensional women, showcasing a bully (Laura Dern), a cheater (Witherspoon), a domestic abuse victim (Nicole Kidman), and a single mom raising a child of rape (Shailene Woodley).
Witherspoon was instrumental in bringing Liane Moriarty’s bestseller to the screen. She, along with Kidman, produced it and the project resulted in a bidding war. That’s because while much of Hollywood was busy lamenting the dire lack of roles for women of a certain age, or any age, Witherspoon was busy creating them.
Her production house, Pacific Standard, is now a part of the content company Hello Sunshine, a joint venture with Peter Chernin and AT&T whose sole mission is to tell female-driven stories on TV, film, and digital platforms.
“It’s my entire life. It’s so fulfilling to me. It’s all been leading to this place where I took control of my career,” Witherspoon says. “It came out of a frustration, of seeing the kind of roles for women that were so flimsy. Buying books that have complex and real interior lives of women is my life’s work. I’m a storyteller, but I’m passionate that women have stories that need to be told.”
For years, she’s been diligently optioning, producing, and releasing projects with women at their core: 2014’s Gone Girl, starring Rosamund Pike as spectacularly manipulative Amy Dunne, generated $168 million domestically. The same year, Witherspoon and her friend Laura Dern earned Oscar nominations for the soul-searching saga Wild. In the pipeline is the date-rape thriller Luckiest Girl Alive.
Big Little Lies, meanwhile, is set in glitzy Monterey, Calif., but peel back the lush exteriors of waves, beaches, and pristine landscaping, and you’ll see the ugly underbelly of the posh town and its denizens — led by Witherspoon’s insufferable but also oddly tender grudge-bearer Madeline. The role fits her like a proverbial glove, but when Witherspoon read Moriarty’s book and realized it would make for delicious television, she didn’t know what part she’d play, just that she wanted in.
“You don’t know why people like a show. I responded to the truth, a real truthful look at how women feel about parenthood. Sometimes there’s maternal ambivalence. Women are not good or bad. I like that complexity of character,” she says. “I don’t think you ever know if things are going to work or not work. But there’s something interesting about five dynamic roles for women in which they talk about sex and marriage and relationships the way that women really talk about sex and marriage and relationships.”
The actresses, who star in HBO’s “Big Little Lies,” developed a tight friendship after playing “sort-of awful people” and then mother and daughter.
A mutual friend introduced Reese Witherspoon and Laura Dern in front of a restaurant in the Brentwood Country Mart complex in Santa Monica, Calif. They were already aware of each other; it was 2011, and both were movie stars of many years. They had also each played antiheroines in back-to-back late-1990s Alexander Payne films to unforgettable effect: Ms. Dern as Ruth Stoops in “Citizen Ruth” and Ms. Witherspoon as Tracy Flick in “Election.” But it was merely a quick hello.
They reunited in 2014 to play mother and daughter in “Wild,” a film based on Cheryl Strayed’s memoir that garnered them both Oscar nominations. A friendship blossomed quickly — playing family, as luck would have it, made them so. They now star (and spar) as rival Monterey power mothers in the new HBO mini-series “Big Little Lies,” of which Ms. Witherspoon is also an executive producer.
Speaking by telephone and email, Ms. Witherspoon and Ms. Dern talked about their fast-tracked friendship, multiple collaborations and conversations with their mothers (Ms. Dern’s is the actress Diane Ladd). This conversation has been edited and condensed.
REESE WITHERSPOON I was with Howell outside a restaurant. Howell Caldwell’s our friend who’s a first assistant director, who’d worked with Laura, and he’s this big, funny guy from Texas, and he’s like: “You gotta meet Laura Dern. You’re gonna love her, you’re gonna love her mom.” Her mom is, like, the quintessential Southern mom, and I have a real Southern mother, too. He said, “You guys are gonna be best friends.” And I remember thinking: “Could I be best friends with her? I don’t know.”
February 17, 2017 • Category: Pacific Standard, Role Rumors •
Comments Off on ‘Legion’s Noah Hawley Pacts Two Fox Searchlight Pics; Helming Reese Witherspoon In ‘Pale Blue Dot’
‘Legion’s Noah Hawley Pacts Two Fox Searchlight Pics; Helming Reese Witherspoon In ‘Pale Blue Dot’
Noah Hawley, who followed his Emmy-winning minseries Fargo by creating the FX drama Legion, has set a pair of films at Fox Searchlight. Top of the list is Pale Blue Dot, a sci-fi project that has Reese Witherspoon starring. Set up as a spec by Brian C Brown and Elliott DiGuiseppi, Pale Blue Dot tells the story of a female astronaut who, upon returning to Earth from a mission in space, begins to slowly unravel and lose touch with reality. Witherspoon will produce with Bruna Papandrea.
Through his production company 26 Keys, Hawley is also developing with Searchlight Buried Bodies, the working title of a drama inspired by the Lake Pleasant Bodies Case from the mid-1970s. Attorneys Frank Armani and Francis Belge faced the ethical dilemma of upholding attorney-client privilege after their client, accused murderer Robert Garrow, revealed to them the location of the bodies of two additional missing girls. The lawyers verified the findings, but did not report them to police, even though one of the lawyers had a daughter who was a classmate of sisters of one of the murdered girls. The lawyers only divulged information after the killer escaped prison and threatened one of the attorneys. The pair was reviled by the families of the victims and ostracized by the community for their agonizing commitment to their oath. Hawley is repped by CAA.
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