Reese can be seen on the cover of the new April issue of Marie Claire UK – it’s the same interview as the earlier US edition, but it has a couple of new photos from the shoot. I love this photoshoot, and I’m glad they’ve chosen a slightly different shot for this cover. Pick up a copy asap if you can, and find the scans in our Gallery:
Reese made an appearance on Good Morning America on Wednesday to promote A Wrinkle In Time. She chatted about her recent visit to her Star on the Hollywood Walk Of Fame, Time’s Up, the importance of representing women in film, Big Little Lies season 2, Little Fires Everywhere with Kerry Washington, and her upcoming Untitled Morning TV Show with Jennifer Aniston. Reese also received a special message from Dolly Parton who had been on the show last week; Reese mentioned that she “has a show coming on in about a month” in which she interviews Dolly Parton, so we’ll keep an ear out for more information on that in the coming weeks! Watch the interview below, and find screencaptures in our Gallery:
March 6, 2018 • Category: News & Gossip, Pacific Standard •
Comments Off on Reese Witherspoon & New Line Set ‘A Private War’ Scribe For ‘In A Dark Dark Wood’ Adaptation
Reese Witherspoon & New Line Set ‘A Private War’ Scribe For ‘In A Dark Dark Wood’ Adaptation
Reese Witherspoon and Bruna Papandrea’s adaptation of Ruth Ware’s suspense novel In A Dark Dark Wood is kicking up a gear after finding a writer. The film, which is set up at New Line with fellow producers The Gotham Group, is being written by A Private War scribe Arash Amel.
Amel will adapt the New York Times best-selling mystery-thriller which centers on a reclusive writer who receives an invitation to a bachelorette party of her best friend from high school who she hasn’t seen in 10 years. Witherspoon and Papandrea are producing alongside Ellen Goldsmith-Vein (Maze Runner: The Scorch Trials), Lindsay Williams (Maze Runner) and Shari Smiley who will produce for The Gotham Group. There are no plans at present for Witherspoon to star in this one.
Witherspoon and Papandrea ended their successful Pacific Standard collaboration in 2016 but they continue to produce the projects they had in development at the company, which Witherspoon maintains alongside her outfit Hello Sunshine. During their Pacific run the pair championed female-driven properties and movie adaptations of best-selling books such as Wild, for which Witherspoon scored a best actress Oscar nomination, and box office winner Gone Girl. More recently the duo hit it out of the park with HBO favourite Big Little Lies, which has been ordered for a second season.
Amel recently wrote the screenplay for anticipated Marie Colvin biopic A Private War, which is being directed by Cartel Land helmer Matthew Heineman and stars Rosamund Pike as the famed US war correspondent alongside Jamie Dornan and Stanley Tucci. The film is considered a strong contender for a summer or fall festival slot. Amel is a producer and writer on Sam Worthington sci-fi The Titan, which rolls out this year, and script Seducing Ingrid Bergman, which has Jessica Chastain attached.
Novelist Ware is similarly in-demand. The writer’s New York Times-bestseller The Lying Game is being turned into a television series for Entertainment One (eOne) and the growing Gotham Group while CBS Films has set up The Woman In Cabin 10.
Witherspoon is repped by CAA, LBI Entertainment and Hansen Jacobson. Papandrea is repped by WME. Amel is repped by CAA, Grandview and Myman, Greenspan. Ware is repped The Gotham Group and Eve White Literary Agency in the U.K.
Reese Witherspoon, Kerry Washington to Star in ‘Little Fires Everywhere’ TV Series
A star-studded adaptation of Celeste Ng’s best-seller Little Fires Everywhere has sparked a frenzy among TV buyers.
Kerry Washington and Reese Witherspoon are set to star and exec produce the limited with multiple premium cable and streaming networks bidding. Sources tell The Hollywood Reporter that a parade of network execs took meetings Wednesday at Witherspoon’s Hello Sunshine offices this week in a bid to land the series.
Released last year, Witherspoon’s company snatched up the rights to Little Fires Everywhere shortly after its publication and brought it to ABC Signature Studios topper Tracy Underwood. The cable-focused arm of ABC Studios will exec produce the potential series, which has ignited a bidding war among those who have heard the pitch. Sources note that several outlets attempted to take the package off the table, but Witherspoon and those involved insisted on letting everyone hear the pitch as they mull the right home for the series. (In a rare move, network execs went to the Hello Sunshine offices rather than producers hopping from network to network.)
The book follows the events that transpire after the controversial adoption of a Chinese-American baby divides wealthy Shaker Heights, Ohio — and specifically a landlord and her mysterious tenant, single mother Mia. Liz Tigelaar (Casual, Life Unexpected) will pen the script, exec produce and serve as showrunner. Washington and her ABC Studios-based Simpson Street banner-topper Pilar Savone will exec produce. Witherspoon will also exec produce via her ABC Studios-based shingle alongside Hello Sunshine topper Lauren Neustadter. Author Ng will serve as a producer. The book was a September pick of Witherspoon’s book club and an instant best-seller, appearing on many year-end best-of lists for 2017.
Little Fires Everywhere is the latest TV venture for Witherspoon. The actress and prolific producer also has the upcoming second season of HBO’s Emmy-winning Big Little Lies due in 2019, and is set to star opposite Jennifer Aniston and exec produce an untitled morning show drama that landed at Apple with a two-season order. The Oscar winner and Emmy nominee’s Hello Sunshine is also exec producing Apple’s Kristen Wiig’s straight-to-series comedy and developing Octavia Spencer starrer Are You Sleeping for the tech giant. Witherspoon is repped by CAA, LBI Entertainment and Hansen Jacobson. Hello Sunshine is repped by CAA and Hansen Jacobson.
Allison Janney praises Reese Witherspoon and Margot Robbie for offering roles to older women
Allison Janney has praised Hollywood for offering more roles to older women, as this year’s crop of Best Supporting Actress are all women who are over the age of 45.
‘Love that, that’s extraordinary, I didn’t even put it together, I wish I had thought of saying something about that,’ she said as Metro.co.uk asked her if she felt there was a shift in the film industry.
Allison won the Best Supporting Actress award for her work on I, Tonya; she was up against Lesley Manville, Kristin Scott Thomas, Octavia Spencer and Laurie Metcalf.
‘As someone whose career didn’t start until they were 38, I’ve been happy and fortunate to be cast in roles, and now more than ever there are more roles for women, and more female producers,’ she said.
‘Reese Witherspoon and Big Little Lies, and all the extraordinary talented women coming to TV – as there is better opportunity for more complex roles – and people like Margot [Robbie]. I am so excited for her to become an important producer,’ she said.
Her I, Tonya co-star Margot Robbie set up her own production company in 2014, and she helped to produce the Bafta-winning film.
‘She’s so young and yet she knew she wasn’t getting the roles she wanted so she started her own company and looked for female driven content,’ said Allison.
‘And people like her will change the landscape of the film world and i think it’s only going to get better and better.’
Reese Witherspoon’s Second Act: Big-Time Producer From Oscar-winning actress to Emmy-winning producer: After taking charge of her career, she makes deals with HBO and Apple.
A few months ago, Reese Witherspoon realized everything had changed.
HBO’s glossy, seven-episode drama, “Big Little Lies” — which Ms. Witherspoon starred in and helped produce — won eight Emmy Awards, including the one for best limited series. From the Microsoft Theater stage in Los Angeles on Sept. 17, to swelling applause, Ms. Witherspoon spoke of how important it was to bring “women to the front of their own stories and make them the heroes of their own stories.”
Not long after that night, she found herself in demand.
“It opened a lot of doors for me,” Ms. Witherspoon said in an interview this past week. “People wanted to be in business with me as a producer in the TV space. My mission was to create television for other women, for other female storytellers that are actresses, other directors and other writers. I think it just clicked in people’s minds.”
Since then, Ms. Witherspoon has transformed herself from an actress increasingly frustrated with the roles she was being offered into a producer with a slate of projects that puts her in the company of series creators like Dick Wolf, Shonda Rhimes and Ryan Murphy.
Last month, HBO ordered a second season of “Big Little Lies,” with Ms. Witherspoon’s production company, Hello Sunshine, among the key companies behind the show. In addition, Apple has bought three Hello Sunshine projects as part of its push to compete with Netflix, Amazon and Hulu in streaming. That amounts to a third of Apple’s TV purchases to date.
One of the series — which is set to star Ms. Witherspoon and Jennifer Aniston as hosts of a fictional morning news show — marks one of the most expensive deals in TV history: With a 20-episode commitment, Apple has pledged roughly $240 million to make it, according to two people familiar with the series. Ms. Witherspoon’s other two Apple projects will star Octavia Spencer and Kristen Wiig.
Apple’s top TV executives, Zack Van Amburg and Jamie Erlicht, said in a statement that Ms. Witherspoon had “an extraordinary knack for being a step ahead of the zeitgeist.”
The rise of Hello Sunshine — with projects centered on strong, complicated women — syncs up perfectly with the #timesup movement, which counts Ms. Witherspoon as a major player, and gives evidence that the risk-averse Hollywood establishment may have learned something from the blockbuster success of “Wonder Woman” last year.
“People are desperate for this kind of storytelling about the female heroes that have always been in the shadows and now are coming into the light,” Ms. Witherspoon said.
January 25, 2018 • Category: Hello Sunshine, Producing •
Comments Off on Reese Witherspoon-Zendaya Thriller ‘A White Lie’ Lands At TriStar Pictures
Reese Witherspoon-Zendaya Thriller ‘A White Lie’ Lands At TriStar Pictures
TriStar Pictures has secured worldwide distribution rights to the Zendaya-starring psychological thriller A White Lie, beating out six buyers in a competitive deal. Zendaya is producing the project with Reese Witherspoon and Lauren Neustadter via their Hello Sunshine label.
Monica Beletsky penned the script, which is based on Karin Tanabe’s 2016 novel The Gilded Years. The film is inspired by the true story of African American Anita Hemmings who, passing as white, became the first Black woman to attend Vassar College, the country’s most exclusive school for women.
Hannah Minghella and Nicole Brown will oversee the project for TriStar .
Zendaya is repped by CAA, Monster Talent, and Skrzyniarz & Mallean. Hello Sunshine is repped by CAA and attorney Gretchen Rush. Tanabe is repped by Aevitas Creative Management. Beletsky is repped by CAA and Gang Tyre Ramer & Brown.
Meryl Streep to Star in ‘Big Little Lies’ Season 2 for HBO
HBO’s Big Little Lies is upping its star power for season two.
Oscar- and Emmy-winning actress Meryl Streep has boarded the premium cable network’s second season of the drama starring Reese Witherspoon and Nicole Kidman.
Streep will play Mary Louise Wright, the mother to the abusive Perry Wright (Alexander Skarsgard), who (spoiler alert!) was revealed to have been the one who died during the Emmy-winning first season of the David E. Kelley drama based on the Liane Moriarty novel. (Skarsgard is said to be returning in some capacity for season two.)
Streep’s Mary Louise Wright is described as a woman who is concerned for the well-being of her grandchildren following her son Perry’s death. She arrives in Monterey searching for answers. (Fun fact: Kelley told THR in October that Streep — and Tom Hanks — were his dream casting goals for Big Little Lies.)
Big Little Lies took home eight Emmys and four Golden Globes and prompted the cabler to stretch beyond Moriarty’s book. Sources say season two, officially greenlit for seven episodes, will also feature the parents for Zoe Kravitz’s character, Bonnie. (Thus far, only Streep, Witherspoon and Kidman are confirmed to return as deals with the remainder of the cast are still being worked out. Sources note that the stars earned major salary bumps after Witherspoon’s sizable payday to star in and exec produce a morning show drama for Apple.)
Kelley is confirmed to return and has already penned all seven the scripts for season two, which is partially based on a story by Moriarty. HBO says season two will explore the “malignancy of lies, the durability of friendships, the fragility of marriage and, of course, the vicious ferocity of sound parenting. Relationships will fray, loyalties will erode … the potential for emotional and bodily injury shall loom.” Exec producers on season two include Kelley via his David E. Kelley Productions banner; Kidman and her Blossom Films shingle topper Per Saari, Witherspoon via Hello Sunshine, Bruna Papandrea, Andrea Arnold, Jean-Marc Vallée, Nathan Ross and Gregg Fienberg. Moriarty will produce. Arnold will direct all seven episodes and replaces Vallée behind the camera.
Streep, meanwhile, is a three-time Oscar winner (The Iron Lady, Sophie’s Choice and Kramer vs. Kramer). She earned her 21st Oscar nomination this week for her role in Steven Spielberg’s journalism film The Post. She previously earned an Emmy win for her leading role in HBO’s miniseries adaptation of Angels in America. Big Little Lies will be her largest TV role to date after Angels. She is also attached to star in J.J. Abrams TV series The Nix, which has been in the works since September 2016 and is rumored to have been set up at Amazon. Streep is repped by CAA and Gendler and Kelly.
Season two of Big Little Lies is expected to premiere in 2019 on HBO.
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