May 19, 2016 • Category: Draper James, Pacific Standard •
Comments Off on Inside Reese Witherspoon’s Style Empire: The Totes That Make Her Hug Strangers, Being a Boss, and More
Inside Reese Witherspoon’s Style Empire: The Totes That Make Her Hug Strangers, Being a Boss, and More
Not many people get to celebrate two birthdays in one year, but our reigning Best Dressed Woman, Reese Witherspoon not only turned 40 in March, but her fashion and lifestyle brand Draper James celebrated one year in business on May 5. And the star and her team haven’t slowed down since the launch. “We’re just always working, working, working,” Witherspoon tells PeopleStyle in this week’s issue. “If I’m in L.A., I’m on Skype. If I’m in New York, I’m at the offices. When I’m in Nashville, I’m at the store. It’s busy, but it’s so great. You make mistakes, and then you correct yourself.”
Since in getting into fashion, she’s learned how to stay in her lane. “It’s important to not be afraid to say, ‘I don’t know how to do that.’ Sometimes an idea doesn’t work. Sometimes things don’t sell when we thought they were going to. But then, we had no idea that we were going to sell 3,000 “Totes Y’all” bags in a year,” she says. “One of the greatest and most exciting things happened when I was on vacation in Florida, and I saw a woman walk down the street with one those bags. I stopped her and hugged her!”
In addition to Draper James, Witherspoon has a production company, Pacific Standard, which she founded in 2012. And there are some similarities between both businesses. “I’ve been working collaboratively with other artists all my life,” she says. “When you’re on movies, you’re talking to writers and directors trying to shape the story and characters. In Draper James meetings, we try to connect a story to a product. We create things that remind us of our southern upbringings and want everything we put out there to bring you joy and be something you’ll have forever.”
She thinks DJ has excelled in a few areas. “Anything that had a southern saying on it people really responded to,” she says, “Like the coasters and mugs with sayings on them, and the ‘Tell me something good’ cocktail napkins.” She’s also seeing success with dresses. “I feel like we really nailed a certain silhouette,” she says.
Witherspoon has also nailed the idea that each of her brands should empower women; Draper James works with Girls Inc., and Pacific Standard aims to create more narratives and jobs for women in the film industry. “I definitely think that strength coexists with femininity and [being strong] doesn’t mean you can’t be girlie,” she says. “I’m really trying to help push that within my own industry, and it’s fun! I mean, part of the reason I did Legally Blonde was because I loved the idea of this character who loved to dress up and have her nails done, but she also wanted to be taken seriously and was a really hard worker. I think most women feel that way. Just because you’re a woman in a position of power doesn’t mean you can’t celebrate being a woman.”
Reese Witherspoon Didn’t See Herself in Scripts…So She Found New Ones
After snapping up the rights to the books Gone Girl and Wild, and turning both into hit films complete with Oscar nominations, Reese Witherspoon has become, per the Wall Street Journal, an influential literary tastemaker in Hollywood.
“I started looking to books as source material because I saw the movies that were coming down the pipeline, and the characters that women were playing were really lackluster,” Witherspoon told ELLE.com on Friday (April 15th) at the Tiffany Blue Book gala, where she sported a $10 million diamond necklace from the collection. “I love stories; I love complex, dynamic women who aren’t necessarily likable, but they actually have so many different dimensions. And I think that’s how women really are, and I think that’s how they want to see themselves represented on screen.”
Witherspoon, who just turned 40, celebrated with a star-studded party where she sang “Sweet Home Alabama” accompanied by Keith Urban on guitar, and Taylor Swift also performed.
“I’m in a really great place,” she says of the milestone. “I’m thrilled to be doing what I do, which is tell stories in this world, and starting a new business, which is a great challenge for me, but it’s also incredibly exciting,” she said, referring to her production company with partner Bruna Papandrea. “I’m working with great women whom I love and respect; Nicole Kidman, Laura Dern, Shailene Woodley, Zoë Kravitz.” That project is Big Little Lies, a series Witherspoon is also producing for HBO, based on Liane Moriarty’s novel of the same name. “I’m having great time! I mean, I have to say, this 40 thing is not so bad!”
Reese Witherspoon’s New Role: Power Broker The actress has emerged as one of Hollywood’s most influential literary tastemakers in the book-to-screen business
Reese Witherspoon was frustrated. It was 2011, and the screenplays coming across her desk had one bland female character after another. Defined as wives or girlfriends, they were nice, respectable and, for an actor interested in character work, boring. She was drawn much more to the protagonists of the novels and memoirs she curled up with at night.
“My husband said, ‘Honey, you read more books than anybody I know. Why don’t you just option some and turn them into movies?’ ” Ms. Witherspoon recalled in a recent interview in Santa Monica, Calif.
In short order, she teamed up with producer Bruna Papandrea, launched an independent production company called Pacific Standard, and went on the hunt for challenging female characters. The pair quickly demonstrated that they could sniff out best sellers. They scooped up their first two books—Cheryl Strayed’s memoir, “Wild,” and Gillian Flynn’s thriller, “Gone Girl”—before they were published. In July 2012, just five months after the company was launched, the books hit No. 1 on the New York Times best-seller list at the same time—in the nonfiction and fiction categories, respectively. Together, the films earned three Oscar nominations and grossed more than half a billion dollars.
Since then, Ms. Witherspoon has emerged as one of the most influential literary tastemakers in Hollywood. Her regular book recommendations on Instagram send Amazon rankings soaring. At a time when book adaptations remain a crucial segment of the film industry, Pacific Standard is an increasingly important player in the book-to-screen business. She and her partner have also invited some authors to adapt their own books, in the hopes of bringing new writing voices to film and television.
March 10, 2016 • Category: Pacific Standard, Role Rumors •
Comments Off on Anna Paquin to Star in Reese Witherspoon-Produced ABC Pilot ‘Broken’
Anna Paquin to Star in Reese Witherspoon-Produced ABC Pilot ‘Broken’
Anna Paquin will topline ABC’s drama pilot from scribe Meaghan Oppenheimer and exec producers Reese Witherspoon and Bruna Papandrea, Variety has learned.
The project that had formerly been untitled is now called “Broken.”
“Broken” follows a ruthless Dallas divorce attorney, Gemma (Paquin), as her life begins to unravel when her emotionally damaged, love-addicted sister resurfaces, triggering self-destructive tendencies and exposing long-hidden family secrets. Paquin’s character is described as one of the most sought-after divorce attorneys in Dallas.
Having made a fortune off of the heartbreak of wealthy Texans, she has no desire to look back, but beneath her carefully constructed facade are layers of vulnerability, self-destruction and deeply buried trauma.
Paquin joins a cast that includes T.R. Knight, Blair Underwood and Penelope Ann Miller. Underwood will play James, Gemma’s boss and sometimes lover; Knight will play Mark, who is competing with Gemma for the same position; and Miller will play Elizabeth Hamilton, the wife of a Texas oil billionaire who is seeking revenge after having been left for a woman 20 years younger.
The soapy drama hails from Witherspoon and Papandrea’s Pacific Standard shingle and ABC Studios. Oppenheimer (“We Are Your Friends”) will serve as a co-exec producer on the pilot, which she penned.
“Broken” marks Paquin’s return to television as a series regular, after her starring role as Sookie Stackhouse on HBO’s “True Blood.” She will next star in A&E’s hotly anticipated “Roots” revival miniseries, which debuts this Memorial Day.
February 2, 2016 • Category: Pacific Standard •
Comments Off on ABC’s Reese Witherspoon-produced pilot about ‘ruthless Dallas divorce attorney’ will film in Dallas
ABC’s Reese Witherspoon-produced pilot about ‘ruthless Dallas divorce attorney’ will film here
A Dallas-set Reese Witherspoon-produced show for ABC about a “ruthless divorce attorney” will actually film in Dallas — at least, its pilot will.
That’s the word this morning from Dallas Film Commissioner Janis Burklund, who sends word that the series briefly titled Please Don’t Go has a new (and temporary) name: The Untitled Meaghan Oppenheimer Project. In case you’re wondering, and you likely are, Meaghan Oppenheimer is an actor-turned-screenwriter partially responsible for last year’s not-a-hit We Are Your Friends; she also co-wrote an episode of Fear the Walking Dead.
Burklund said Tuesday morning that the pilot will film in Dallas in the spring. But, she said, “there are no hard dates.” And a cast has not been announced. Witherspoon’s not starring in the series.
Here’s the plot, per the official announcement just dispatched by Dallas City Hall: “The story line follows the personal and professional life of a ruthless divorce attorney in Dallas, which begins to unravel when her emotionally damaged, love-addicted sister resurfaces triggering self-destructive tendencies and exposing long-hidden family secrets. The new show is expected to show off the vibrant, urban city that Dallas is.”
January 30, 2016 • Category: Pacific Standard, Role Rumors •
Comments Off on ABC Orders Drama Pilots from Kevin Williamson, Reese Witherspoon, ‘Agent Carter’ Bosses
ABC Orders Drama Pilots from Kevin Williamson, Reese Witherspoon, ‘Agent Carter’ Bosses
ABC has given pilot orders to four dramas from executive producers including Kevin Williamson, “Agent Carter” showrunners Michele Fazekas & Tara Butters, and Pacific Standard’s Reese Witherspoon & Bruna Papandrea, Variety has learned.
Reese Witherspoon and Bruna Papandrea are executive producing an untitled drama written by Meaghan Oppenheimer, in which a ruthless Dallas divorce attorney’s life begins to unravel when her emotionally damaged, love-addicted sister resurfaces, triggering self-destructive tendencies and exposing long-hidden family secrets. The project also hails from ABC Studios.
ABC’s previously ordered drama pilots include modeling drama “Model Woman“; legal drama “Conviction” from the Mark Gordon Co.; Romeo & Juliet sequel series “Still Star-Crossed” from Shondaland; “The Jury,” produced by Carol Mendelsohn; “Presence” from John Ridley; and the “Agents of SHIELD” spinoff “Marvel’s Most Wanted.”
On the comedy side, ABC has picked up two family-centric pilots from producers of “Black-ish” and “The Middle”; soccer-themed “Dream Team” from “Will & Grace” alums Bill Wrubel and Kari Lizer; a pilot from “The Goldbergs” creator Adam F. Goldberg about an imaginary friend; “Downward Dog,” starring Allison Tolman; cancer-themed comedy “Pearl;” and “Speechless,” which revolves around a family with a special-needs child.
Reese graces the cover of the upcoming February issue of US Harper’s Bazaar magazine! She looks stunning in a new photoshoot, and talks about her current career path and Draper James in the interview. I love the colours and styling of the photoshoot, it’s so pretty. Read the interview below, find the pictures in our Gallery, and watch the behind the scenes video further down this post.
The magazine hits US news-stands on January 19th.
From screen sweetheart to power producer to lifestyle entrepreneur, Reese Witherspoon brings Southern charm to every role.
Reese Witherspoon is sitting in a random office in a glorious location: Nashville’s grand Cheekwood Museum of Art. She’s been twirling all day in concoctions for this cover story—on horses, holding piglets and parasols, and battling oddly aggressive ladybugs. But the great charm of Witherspoon, of course, is that she can look like she’s having the most fun in the world.
And right now, it would seem that she is. After 25 years in films—a long reign as America’s sweetheart, an Oscar for Walk the Line, and a lull before her second nomination, for 2014’s Wild—and with her 40th birthday on the horizon, Witherspoon is not just a star but a force. With her tenacity and sonar-like acumen, she is deftly changing cinema.
“It’s almost like my brain is hardwired to collect information and do things,” Witherspoon says. “I used to do very little with it, and now I’m being more productive, which feels good.” Turns out, she handily notes, that if you spend 25 years making movies, “that’s the way that you learn how to make movies.” In the past four years Witherspoon optioned two books, Gone Girl and Wild, shepherding them through production (and in Wild, shepherding herself up the Pacific Crest Trail) and seeing both receive Oscar nominations.
While Witherspoon could have surfed on a wave of rom-coms until the end of her days, it was a combination of frustration and curiosity that forged her new path. “There was a point, around 2011, there were like five actresses that I admire very much and they all called me and said, ‘There’s this role of this girlfriend in this movie,’ which was kind of just a terrible movie. And we’re all kind of clamoring for this terrible part? We are so much better than this.” So Witherspoon went about changing things.
“I certainly can’t star in all these movies,” she says. “I want to get a female perspective on film that would make my daughter [Ava] understand what it means to be a woman in a different way.”
Witherspoon—who along with Ava, 16, and son Deacon, 12 (with ex-husband Ryan Phillippe), has a three-year-old son, Tennessee James, with her husband, talent agent Jim Toth—credits Toth for her renewed cinematic mojo. “He said, ‘You should produce movies. You read more books than anybody I know. You should just buy some of them and turn them into films.’ ”
Elle:"Is that low-viscosity rayon? With a half-loop top stitching on the hem?
Boutique Saleswoman:"Of course. It's one of a kind.
Elle:"It's impossible to use a half-loop stitching on low-viscosity rayon. It would snag the fabric. And you didn't just get it in - I saw it in the June Vogue a year ago. So if you're trying to sell it to me for full price, you've picked the wrong girl.
Luckiest Girl Alive
Tiny Beautiful Things
Barbie origins project
In A Dark, Dark Wood
Untitled Rob Long Project
The Thing About Jellyfish
All Is Not Forgotten
Three Little Words
Pale Blue Dot
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