Reese did a live Facebook chat yesterday, and chatted about the possibility of further sequels to Legally Blonde and Sweet Home Alabama, her upcoming movie Home Again, Wild, and her dogs … among many other things! Watch the full live chat at ETOnline.
Reese Witherspoon Is Down to Make More Legally Blonde and Sweet Home Alabama Movies
Without a question, two of Reese Witherspoon’s most beloved films are Legally Blonde (2001) and Sweet Home Alabama (2002). They’re untouchable pieces of entertainment that most of us can quote verbatim. (I call lies on anyone who says they haven’t tried the bend-and-snap. I’m doing it right now.)
And Witherspoon knows just how classic these two gems are. She already made a sequel to Legally Blonde in 2003, but get this: She is down as hell to bring Elle Woods to life again and do another Sweet Home Alabama flick. Proceeds to blast Hoku’s “Perfect Day” at frightening decibels.
”[Legally Blonde] was really fun,” Witherspoon said during a recent Facebook Live chat. “A lot of people have asked me if we’re going to make another Legally Blonde, and we’re thinking about it.” But what would the plot be? An Elle Woods baby? Paulette Bonafonté gets her own talk show? The RETURN OF VIVIENNE KENSINGTON?! The possibilities are endless.
As are the possibilities for a Sweet Home Alabama sequel. Don’t get too excited, though: There are no concrete plans in the works. However, Witherspoon is ready to get country the second everyone else gets on board. (And isn’t that the hardest part?)
“We are not making a Sweet Home Alabama sequel that I know of,” she said. “But if Disney wants to make a sequel, they can just call me: I would happily make Sweet Home Alabama 2.”
August 17, 2016 • Category: Pacific Standard, Role Rumors •
Comments Off on Reese Witherspoon & Nicole Kidman Reteam On Deal For Liane Moriarty Novel ‘Truly Madly Guilty’
Reese Witherspoon & Nicole Kidman Reteam On Deal For Liane Moriarty Novel ‘Truly Madly Guilty’
Reese Witherspoon and her Pacific Standard production banner have re-teamed with Nicole Kidman and her Blossom Films to option the film rights to best-selling novelist Liane Moriarty’s Truly Madly Guilty. Witherspoon and Kidman will produce with Pacific Standard’s Bruna Papandrea and Blossom’s Per Saari. The novel has topped the New York Times bestseller lists, and Witherspoon and Kidman’s companies are in postproduction on a limited series based on Moriarty’s Big Little Lies for HBO. The series was adapted by David E. Kelley and directed by Jean-Marc Vallee and stars Witherspoon, Kidman, Shailene Woodley, Laura Dern, Zoe Kravitz and Alexander Skaarsgard.
Through one fateful event, Truly Madly Guilty explores the most fundamental relationships —marriage, sex, parenthood and friendship — and how too often we don’t appreciate how extraordinary our ordinary lives are until it’s too late. The tale takes place over a weekend, among six adults and three cute kids. The Australian author wrote What Alice Forgot, Three Wishes, The Hypnotist’s Love Story and The Husband’s Secret, as well as a line of children’s books.
Both companies have proved good at identifying and acquiring tastemaker material. Pacific Standard produced Wild, Gone Girl and Hot Pursuit and is percolating Jessica Knoll’s Luckiest Girl Alive at Lionsgate and Ashley’s War at Fox 2000. Blossom produced Rabbit Hole, The Family Fang and Monte Carlo and is adapting The Silent Wife, Reconstructing Amelia, and the off-Broadway vampire hit Cuddles.
The author is repped by Jerry Kalajian of Intellectual Property Group and attorney Matt Sugarman on behalf of Fiona Inglis at Curtis Brown Australia and Faye Bender in the US. CAA reps both production companies, and Hansen, Jacobson reps Pacific Standard and attorney Alan Wertheimer reps Blossom.
August 11, 2016 • Category: "Home Again" •
Comments Off on Reese Witherspoon in Talks to Star in ‘Home Again’
Reese Witherspoon in Talks to Star in ‘Home Again’
Reese Witherspoon is in talks to star in the indie comedy “Home Again,” Variety has learned.
Hallie Meyers-Shyer, the daughter of director Nancy Meyers, is writing and directing the film.
Meyers is producing alongside Black Bicycle Entertainment’s Erika Olde, who is also financing the movie. Nancy Meyers played a major part in getting the script in Witherspoon’s hands.
Based on a script by Meyers-Shyer, “Home Again” follows a recently separated mother of two whose new life in Los Angeles is overturned when she decides to take in three young, charismatic guys.
Although no distributor is attached at this time, insiders say production is eyed for the fall. The film has been in the works for some time with Rose Byrne attached to star at one point.
Witherspoon has recently focused on producing more material for herself like the upcoming HBO limited series “Big Little Lies,” which also stars Nicole Kidman and is expected to be released next year on HBO. As of now, Witherspoon is only on board to star in “Home Again,” and will not be producing.
Witherspoon is repped by CAA and LBI Entertainment.
MadRiver Pictures introduced the film to international buyers in Cannes. CAA is representing the North American rights and also reps Black Bicycle and Nancy Meyers.
August 11, 2016 • Category: News & Gossip •
Comments Off on Julie Bowen: Fellow Mom Reese Witherspoon ‘Saved My Life’
Modern Family actress Julie Bowen spoke about Reese’s wise words in a new interview with US Weekly:
Julie Bowen: Fellow Mom Reese Witherspoon ‘Saved My Life’
Us Weekly: Do you have a mom philosophy? Julie Bowen: I read some article where Reese Witherspoon said, “If you’re not yelling at your kids, you’re not spending enough time with them.” It made me feel so much better. I was like, “Oh, this must mean I’m a good mom!” Reese Witherspoon, who I’ve only met once, saved my life with one quote.
Aussie actress and comedienne Rose Byrne spoke to the Aussie Daily Telegraph about her venture into producing, saying that Reese has been a big inspiration to her in doing this:
Byrne reckons there’s been a subtle change in the roles she’s being offered now as compared to five years ago. “Obviously I’m less likely to be playing the ingenue, so you’re offered more parts of the wife or the mother or friend,” she says. “I still read most scripts and go, ‘You know, I’d really rather play the guy part.’”
Indeed, it was this frustration over the work available for women, both in front of and behind the camera, that led Byrne and four Sydney mates – actor Krew Boylan, director Shannon Murphy, writer-director Gracie Otto, and publicist-producer Jessica Carrera – to found collective The Dollhouse Pictures.
“We started to reach out to one another and say, ‘We’re stronger as a team than we are separately, so let’s try to come up with a think tank where we can bandy ideas around,’” she says. “It was really about gearing roles towards women, and developing projects for and by women.”
Byrne concedes the group is inspired by what actors, including Reese Witherspoon, Nicole Kidman, and Drew Barrymore, are doing with their own production companies. “Reese is probably my biggest inspiration,” she says of Witherspoon’s production company, Pacific Standard, which has produced massive hits including Gone Girl and Wild.
The learning curve, however, has been steep. “It’s definitely been challenging,” says Byrne. “Being on the other side of things and discovering how projects are developed, and how difficult it is to find funding – it’s a whole different way of working for me, but I’m learning a lot.”
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